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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Feb 17, 1931
Page
1
The piece lists positions such as Editor-in-Chief Managing Editors Assistant Editor Copy Editor and News Board details. It mentions staff names Celeste Tedel and Florence Suskind among contributors and notes specific sections like About Town and World Rez thermil College Clips.
A scanned business staff roster lists multiple employees with positions such as Business Dorothy Resch as Business Assistant and advertising and circulation staff including Asderis Meritzer Jose Biemne Maseger Gerzizie Marcus Margeret Altsciu Jean Beritch Lorraine Panzer and others like Frances Barry Jance Petterson Catherine Merse Conmance Brown Beatrice Sykora. The fragment shows roles and ages or codes alongside many names, indicating a departmental directory.
Dernari College located at Columbia University on Broadway and 11th Street in New York City. The listing places the institution within a major university campus and notes its street access on Broadway near 11th Street.
The editorial notes senior and junior show chairs and committees grow weary and mutter about staging on Brinckerhoff. Alumnae return to claim progress since their day, but the piece argues the Barnard theatre, born as a social room, no longer meets the college’s evolving needs as Broadway trends accelerate and ambitious plans falter.
A fragmented notice notes concerns about youth safety and education. It mentions Toronto students testing procedures and institutional actions, with unclear details and several garbled phrases. The piece reads like a brief community update on protective measures and investigations in place.
A critical notice of a play featuring Barrett as a tyrant steps through the plot with emphasis on love, cruelty, and poetic allusions. The cast includes Miss Barrett and Charles, noted for their performances, while the production explores power dynamics and emotional intensity within a melodramatic setting.
Ruth Draper is praised for delivering four concise sketches with vivid character voices and minimal props. The critic highlights her skill in simulating presence, range from a sly bride to an aged Jewess, and the gripping emotional arc in Three Women and Mr Dirford concluding with a dramatic but nonfatal twist.
A February Town Hall review praises Clara Rabinowitch for concise, mood driven miniatures. The encore and Chopin numbers emerge as her strongest work, with Bach and Schumann pieces noted for their distinct, story like qualities. The critic questions her epic ambitions beyond intimate keyboard storytelling.
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