15 Feb 1938
Page 1
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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Feb 15, 1938
Page
1
The piece argues the Representative Assembly should not cling to a pure representative theory. It cites appointive officers and class elections as flawed proxies for representation. It favors reform or outright election of the entire Assembly, noting current appointees and editors are capable, urging progress with caution.
The Barnard Cafeteria has changed its luncheon menu with new sandwiches salads and fruit juices in response to student requests. The note urges continued student cooperation and reasonable suggestions to keep meals appetizing affordable and financially viable for the campus.
The piece contrasts Bulletin with radical periodicals, noting Evangelical Press critique and a Barbers Journal echo. It highlights the Barbers Journal as lively with shop news and old jokes, while discussing an artist relative urged to speak on flowers and modern expressionism. A penny post card arrives as a recent anecdote.
Letters urge continuing and publicizing the Occupational Round Tables. Suggestions call for each department to present sophomore year options before choosing a major and for advisers to guide freshmen and sophomores. The Occupation Bureau should broaden outreach and publish job availability data.
A reflective piece contrasts a younger sibling now grown into a Columbia man with a narrator who recalls shared childhood moments and changes. It includes letters urging psychology course reforms, vocational testing, round tables publicity, and advice on career contacts through the Occupation Bureau. The column weaves personal memory with campus guidance notes and alumnae humor.
The Strand review says The Kid Comes Back is a light prizefighter comedy with Wayne Morris playing a carefree star who enjoys the role. June Travers is solid and fresh while Barton McLane delivers a strong pugilistic turn. The film provides pleasant evening entertainment with a happy ending.
Under John Barbirolli the orchestra offered Weber Oberon Overture, Dvorak A minor Concerto with Guila Eustabo in a striking red gown, and Tchaikovsky Symphony No. 4. The soloist showed technical mastery but limited emotional range, while the finale drew strong audience enthusiasm.
The labor musical The Cradle Will Rock moves back to the Mercury Theatre on February 28 after a string of relocations. It has a Broadway legend status from its 1937 reshuffles and recent Windsor run, with Henry IV and Henry V rehearsals slated at Mercury.
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