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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 20, 1932
Page
1
Barnard College Students publish semi weekly year round except vacations and exams. The edition lists editors in chief Madiyn Millner and managing editors Hildegarde FiteGerald Anna Jacobson with a broad news board and staff covering news exchange town and business sections.
Editorial urges Barnard students to scrutinize the three dollar per term Activities Fee. Margaret Gristede Undergraduate Treasurer offers changes to fund distribution and calls for a thorough housecleaning by taxpayers, the undergraduates, through the Publications Investigation Committee.
In a forum letter the Barnard Music Club urges converting Room 408 in Barnard Hall into a permanent Music Room to serve musicians for College activities. They cite overcrowded Columbia facilities and isolation of Barnard musicians, seeking donations for rugs drapes a VictoIa electric phonograph and a small music library to improve acoustics.
A Geo. M. Colas Theatre review admires Mr. Green's DeBarry creation as a mixed piece with lavish decor and episodic plotting. Grace Moore's voice and Paris setting receive praise, while pacing and coordination of the operetta are questioned amid detailed stage notes and audience reactions.
A critique of Escudero's dance and Miss Baum's acting notes the performers' vitality and dramatic drive. The piece contrasts vivid stage images with occasional overstatements, praising the rhythm of Farruca and the overall musicality while noting moments of weaker characterization.
Miriam Rosentiel, Quarterly Editor, challenges Dear Madam’s use of exotic and esoteric to describe Quarterly. She argues the magazine mirrors typical college fiction like quaint children stories, springtime romance, and whimsy plots, not a focus on exotic or esoteric writing.
The periodical examines new Sincent interest and two world conflicts as “ges teres” and recalls lively student gestures not forgotten. Spivax and others critique higher education while editorials question war’s impact and campus social themes.
A reader notes a Miss Wek office sign about a Writers' Club event featuring James Stephens. The piece discusses Stephens's Poetry Recital collection up to 1925, describing his idea that selected poems are suited for oral reading. It highlights notes on sound quality, mood, and examples like The Paps of Diaza and The Fur Coat, praising the poet’s range and insights.
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