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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 13, 1940
Page
1
The Barnard Bulletin is issued semi weekly during the college year by Barnard College students. It carries subscription rates of $3.00 per year or 10 cents per issue and is entered as second class matter at the New York post office.
Irene Lyons editor in chief Patricia Tillingworth business manager Doris Prochaska managing editors Rita Roher Ellen Hammer About Town editor Marjorie Lawson Utne advertising manager Mirprep Kolopny circulation manager Hrimn Runo Owen Jean Ackermann Ruth Blumner Jane Goldstein Elizabeth Koenig Naomi Sells Phyllis Wickenden associate editorial board Clytia Caprara Zenia Sachs Florence Fischman Marcia Freeman Rose Ruth Tarr associate news board Mary Damrosch Muriel Margolin Cecil Paige Golann Madeline Ryttenberg Roberta Hadley Norma Sheptner Katherine Hanly Marie Turbow
The piece argues colleges should provide intelligent leaders and an informed electorate. It proposes a campus program to clarify how students serve the nation without disrupting academics, including public health courses, expanded social service groups, and lectures on women’s roles in defense. Initiation urged by students.
In Pipestem the story is told of Mr. Stark a resident famed for brain work and storytelling. He describes crooked roads with humorous names and a local culture of sportsmanship, squirrels, and a furrier fending off mosquitoes in a rural tale.
A Dart mouth essay mocks stereotypes of women citing playful lines about their attire, conversations, and domestic skills. The piece notes various college facts and a series of humorous excerpts from universities and scholars, including references to Freud and global examples.
The article reviews Walt Disney and his team translating music into visuals in Fantasia and notes collaboration with Leopold Stokowski. It describes Carroll Carstairs Gallery works in pastel watercolor and celluloid, highlighting whimsical characters, subdued color schemes, and scenes from the Nutcracker Suite and Pinocchio. The piece praises the technical aims of Disney as a new art form blending cartoon painting and concert presentation.
A nostalgic critique of It’s In The Air starring George Formsby as an inept RAF impostor with slapstick misadventures. The reviewer notes low farce potential yet redeeming ukulele moments and a few entertaining gags before a contrived ending, contrasting with Laurel and Hardy.
The Metropolitan Opera House embraces business sponsorship to air operas every Saturday afternoon from Alaska to Peru. December 7 marked the debut with Noes Figaro, Ezio Pinza and Mme No vonna praised while Susanna and Marcelina received mixed performances. Interludes between acts will inform and entertain radio listeners. The venture seeks support from music lovers to back operatic popularization.
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