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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 12, 1963
Page
1
A Barnard student argues that the honor system erodes trust by policing exam rooms and confiscating materials. She contends students should choose where to take tests, take religious conflicts into account, and allow flexible scheduling to honor integrity and reduce hardships.
The Columbia University orchestra conducted by Howard Shanet presented a concert at McMillin Theater featuring early nineteenth century works. Opening with Gade Echoes of Ossian, the ensemble showed range but occasional intonation issues. Czerny four hands piano concerto with Genevieve Chinn and Hubert Doris impressed, while Spohr Motturno fell flat. Gounod Symphony No 1 concluded the program with improved intonation and notable woodwind solos. Shanet’s control was evident though the group’s lapses limited the performance’s vitality.
University theatre announces auditions for Blood Wedding by Garcia Lorca to be staged March 18 to 20 directed and produced by Mr. Janes. He praises the poetic drama with strong roles for girls and notes its surreal atmospheric blend of fantasy and realism.
Professor Youtz tests 120 psychology students to assess color discrimination abilities in Mrs Stanley and a second subject. Blindfolds, color contrasts, and a black box isolate perception from texture cues. Findings suggest a genetic skin sensitivity may govern a potential new sense mode with blind aid potential.
Anita Pitney praises Trail by Jury and The Pirates of Penzance staged by G&S. Ann Munroe guides Trial by Jury with strong choruses and good pacing. Robert Binder and Harold Albenberg charm as Plaintiff and Judge. Pirates has lively chorus work but uneven singing and stiffer acting at times. Maureen’s choreography elevates the police numbers and the finale remains joyful and crisp.
Jean T Palmer, Barnard College General Secretary, corrects Gloria Leibers account about The Bowery by Jonah Kinigstein and other artworks donated by Barnard alumnae. Julius Held owned the piece and donated it to hang in the Annex. The purple faced lady by Portenard has moved to the Hewitt dining room for viewing.
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