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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 11, 1928
Page
8
Courses cover anthropology cultural interaction and development along with medieval literature drama and English novel studies. Lectures by Reichard Boas Sturtevant Latham Swift and Haring with museum trips, discussions, and optional papers. Essays on architecture painting and narrative traditions emphasize critical reading and research.
Dr Reichard offers a rapid survey of primitive religions their material forms supernatural meaning and influence on ecclesiastical thought. The course is informative in a thoughtful scientific manner with a term paper and final exam inviting originality.
The Spring session focuses on the Roman Forum house and theater with lantern slides. It offers a working knowledge of classical Roman culture and antiquities in Italy. Readings and lectures add cultural value and may satisfy classical retirement requirements.
A researcher uses phonograph records to document dialects from various regions in the United States. The team transcribes the speech into phonetic script to study pronunciation patterns and language variation.
The passage reflects on English literature from the fourteenth and fifteenth centuries as a great discovery. It highlights The Pearl as a near perfect work of conscious artistry and praises Piers Plowman for its timely critique. The speaker notes personal engagement matters, not formal lectures, and urges embracing challenging courses.
The Romantic Movement course, taught by Professor Haller, is a reading oriented class. The first term covers poetry by Scott Byron Shelley and Keats with prose writers Jeffrey Hazlitt De Quincey and Lamb examined for their commentary on the poets. The second term date is not yet announced.
Professor Swift presents Fine Arts 28 a carefully organized course on medieval art with extended focus on the Classic era and its influences. The curriculum emphasizes structured lectures and detailed analysis.
This course offers a rapid survey of French literature from the Chanson de Roland to classical dramatists in the first semester and romance to twentieth century works in the second. Sections may be conducted in French, and professors vary in value. The course builds reading speed and comprehension but is necessarily cursory.
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