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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 09, 1932
Page
1
Barnard College students publish a semi weekly paper during the college year except for vacations and exams. The issue lists editorial and editorial assistant staff, printing and business teams led by Jean Ehrlich and Virginia Rechnitzer with several assistants and circulation roles.
The bulletin explains its four page five column format and limited publicity due to resources and bi weekly schedule. It urges subscribers to recognize constraints and reaffirms support for the fall stage production Wigs and Cues Douglas Jerrold's Black Eye Susan presented tonight and tomorrow.
A Barnard Bulletin letter argues against combining Mortarboard with Quarterly. It defends a college magazine as a spur to analysis and expression, warning a merger would yield a dull volume focused on photos and lists. The writer urges preserving Mortarboard’s independent literary section and notes college interest favors keeping Quarterly separate.
A reader critiques continuing the annual college publication funded by the minority, calling it sentimental, extravagant, and out of date. The writer compares it to past fashions, cites a four dollar cost, and wryly besitzt God versus politics while addressing the editor.
Dorothy Crook writes from Barnard Class of 1933 proposing combining Mortarboard with Barnard Quarterly to reduce costs and boost value. She suggests Mortarboard gain literary content supervised by a Literary Editor and use the current Quarterly subsidy to fund a self supporting annual with broader student representation and more advertising.
The piece mocks Buckley Joyce Thomas as a dramatic self-promoter in journalism and theater, praising Thomas Mitchell for vigor in portraying a charlatan. It also discusses Roland Clark’s etching and oil works, noting his speed, focus on motion, and mixed reception of color, with comparisons to Cezanne and Chardin.
The Morningside Players present Color Blind in three acts examining race and family in the new south. Alethia Luce leads as grandmother, Betty Little and Janet Cool deliver solid performances, with overall professional acting and a cautious audience reception.
Art Roland Clark Schiurts Galleries presents a December exhibition featuring drypoints and etchings. The gallery notes a lively crowd and mentions energetic visitors in black boots and Boston baked beans era imagery.
Angna Enters presents "Episodes" combining dance, painting, and design to express emotion through movement. The collection blends comedy and tragedy with vivid color choices, including "Life is a Dream" and "Boy Cardinal." Audience notes her versatile genius and inventive staging across Aphrodisiac Green Hour, Remembered Things, and Queen of Heaven.
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