04 Dec 1950
Page 1
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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 04, 1950
Page
1
Barnard Bulletin produced semi weekly during the college year with interruptions for vacations and exams. The paper was entered as second class matter October 19, 1928 at New York Post Office under the 1879 act. Subscription rate is 3.50 per year. single copy price noted. Editor in Chief and Business Manager listed.
Barnard discusses speaker policy as CUSC seeks final say while administration worries about consequences. Editorial argues academic freedom requires student choice with responsibility, and student regulation should be procedural. It envisions equal access for speakers unless legal grounds exist to refuse.
The Executive When Rep Assembly meets today may decide if Student Council meetings should be open or closed. A proposal suggests Council report minutes and agenda to the legislative assembly to allow challenge of acts. The review notes need for re evaluation of committee head appointments and executive influence over Undergraduate committees.
Barnard College moves to include maintenance workers in planning and student life. Jean Palmer leads staff representation at Public Relations meetings while Jim Gallagher heads the union. A new Barnardiania feature highlights staff stories as contract negotiations proceed toward a clarified amid improving relations.
An October Bulletin analysis shows Barnard clubs enroll many but activate few. The Folk Song Group lists 60 members with 25 attending, while Debate Council has 35 enrolled and 17 active. Critics say clubs must re-evaluate aims and elections to curb dead wood.
Betty Heed Manners reviews Wigs and Cues Olympia noting strong acting from Pat Miller as Olympia and solid supporting turns by Rozendaal Pineda and Wensberg. She praises costumes and sets but criticizes lack of majesty in Olympia and uneven vocal projection and mime, calling overall a satisfying performance with gaps.
Columbia University Chorus under Jacob Avshalomoff rehearses a December 15 program at McMillin Theatre. The lineup includes three double motets by Gabrieli Schein and Tippett, Josquin des Pres Missa Pange Lingua, Schumann Romances und Balladen and early American hymns. The choir integrates two choirs on stage and adds extra rehearsals to coordinate the divided chorus. The program features Tippett Plebs Angelica, first US modern performance.
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