03 Dec 1937
Page 1
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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Dec 03, 1937
Page
1
Bulletin i launches a series on the role of American organizations in the Spanish war and Sino-Japanese hostilities. It argues Barnard students should know how individuals influence policy, aims for non partisan reporting, and invites action and further research.
Barnard Camp remains a Friday poster draw as students sign up for weekend country respite. The piece mixes campus life notes, poetry pleas, and a light personal reflection on memory, letters, and an Observation Query quiz.
The North American Committee and allied groups raise funds and advocate for Spanish Loyalists. A July mass meeting at Madison Square Garden drew 20 000 attendees, with 15 000 dollars split between children’s homes and medical aid. The Medical Bureau to Aid Spanish Democracy sent doctors nurses ambulances and cash. passport rulings were adjusted to allow relief personnel to operate in Spain. The Youth Division seeks Spain questions at December student conferences.
The Lutheran Club hosts a social gathering with the Columbia Lutheran Student Organization tonight at 8 p.m. The event invites members and students to mingle and交流.
The Episcopal Club will hold a business meeting today at 4 p.m. in Room 110 Millbank to discuss the club program for the rest of the year.
A Town Second Balcony review finds the Theatre Guild production uneven. It questions motive behind the staging and the unusual chorus devices while praising Lee Simonson’s fourteen sets and Ernest Cossart in a rare role. Constance Cummings shows promise but overacts, and O Z Whitehead stands out as the strongest performer.
A vaudeville style film centers on Hazel Flagg a Vermont girl who fakes radium poisoning to get to New York where a sensational media circus unfolds. Wally Cook a metropolitan newspaper man offers a trip at the paper’s expense. Carole Lombard stars with Frederic March and Walter Connolly delivering brisk performances.
Yoichi Hiraoka delivered a fully satisfying xylophone recital on Wednesday November 24. He explored mainly violin oriented pieces and a Bach transcription, skillfully shaping tone, color, and vibrato-like effects though noting the instrument’s limits. The program included Hauser Cradle Song with two mallets and an unusual Bach Violin Concerto transcription for xylophone with the Phil-Sym String Quartet, which critics felt clashed sonically. Encore enthusiasm ran high with Rimsky’s The Bee. The Mercury Theatre scene and Lehman Engel Singers, under Mr. Welles’s influence, drew mixed reception and broader revue.
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