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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 29, 1941
Page
1
Barnard College publishes the weekly bulletin during the college year except vacations and exams. It is entered as second class matter Oct 19 1928 at New York Post Office under the 1879 act. Subscription 300 dollars per year or 10 cents per issue.
The page lists Vol XLV dated April 29 1941 and credits the editorial staff and business board. Names include Grack Barner Puntis Krover Crytia Capraro Hien Kanner ZYNTA SACHS KatHaRINe Panty Sparky VRosow with editors and assistants such as Deborah Burstein Carol Collins Tudith Coplon Jacqueline Davis Denise Donegan Florence Fischman Meria Freeman Doris Landre Florence Levine Martha Messler Eleanor Streichler and others on the news and associate boards.
A veteran columnist argues against choosing between two evil imperialisms and urges supporting democratic forces to defeat fascism. The piece rejects supporting Britain or Japan in excess, defends democratic ideals, and warns against letting labor and social gains be rolled back in crisis. It emphasizes moral action, unity with anti-fascist powers, and preserving peaceful democratic processes.
A lighthearted piece recalls a tea gathering for faculty and colleagues with discussion of the menu the cake and social antics. It playfully lists questions about serving mishaps and notes items about editors and professors while venting a playful wish list and humorous reflections.
This second in a series argues Spanish supports public service, clerical work, trade, transportation, and manufacturing. It highlights the share of US workers in production, manufacturing, and professional services, and notes demand for Spanish in diplomacy, travel, and business across the Americas. Leading figures include writers and translators in Spanish language realms.
Review lauds William Saroyan's The Beautiful People at the Lyceum for its human life on stage. Writers Owen Webster and Betsy Blair anchor the cast with Orson Welles like direction. The piece invites audiences to witness intimate moments and philosophical themes through Curtis Cooksey and Betsy Blair.
A six part series at the Museum of Modern Art auditorium begins April 30 with Swing Folk and Gospel acts. The lineup includes Sophistachords Negro singers, swing versions of classic songs, Ravel Bolero, Pagliacci, and a preview of Virgil Thomson Four Saints in Three Acts. Jubilee and a South American Panorama close the series.
The Ziegfeld tradition shines in MGM produced film with Judy Garland Lana Turner and Hedy Lamarr as the leads. Jimmy Stewart and Tony Martin deliver solid performances while the Italian dance number by Antonio and Koario stands out as the show’s best moment.
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