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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 23, 1964
Page
1
Barnard College student publication notes semi weekly schedule for the college year excluding vacations and exams. It lists entry as second class matter October 19, 1928, at the New York post office under the 1879 act.
The piece argues the new Undergraduate Association should follow Robert's Rules with a non-partisan president and independent stance. It urges committees to investigatively drive feasible revisions, while policy questions go to Rep. Assembly, warning last year's oligarchic issues.
The Honor Board’s plan for dual responsibility gains tentative support. Critics warn rejection risks continued double reporting and weak overall system support, noting finals in May could proceed under double reporting without broad backing.
A writer and party linger in the St. Regis lobby waiting for Godot. Salvador Dali arrives with a crowd, denies connection to Godot, and answers questions about art while fans press for responses.
Barnard Gilbert and Sullivan Society presents Princess Ida in a polished three act production. Strong musical numbers and stylish visuals elevate the show though some acting is uneven. Diane Tramonti and Tom Neugebauer lead with solid voices and charm. the chorus delivers a spirited opening third act.
A critique of Gael Greene's Sex and the College Girl says it repeats familiar anecdotes and condescending analysis though offers a few fresh quotes. The reviewer notes Greene portrays college girls with the same sensational tone as prior bestsellers and questions the book’s frank hype.
Gena Reisner urges the Bulletin to print a letter defending honesty after Miss Brownrigg left Playboy of the Western World early and criticized the ending. The editor replies Brownrigg later saw the changes and stayed for the ending, noting she had attended rehearsals.
The article traces Columbia Colleges Varsity Show from its 1910 social prominence at the Waldorf Astoria to its off broadway revival with a new score by alumni Richard Chodash and Barry Alan Grael. It notes the shows wartime eclipse and the 1962 college slump.
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