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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 22, 1941
Page
1
Barnard Bulletin issued semi weekly during the college year by Barnard College students for the Undergraduate Association. It is entered as second class matter October 19 1928 at New York post office under the 1879 act. Subscription is 3.00 per year or 10 cents per issue.
The April 22 1941 issue lists staff roles including Editor in Chief Pusitis Kenner and Managing Editor Herren Kraanvel along with Zena Sachs Karma Hasty Shirley Lronow and department photographers Marcia Freeman Doris Landre Florence Levine Martha Messler and Treichler.
The Foreign Policy Forum at McMillin Theatre yielded instructive but disappointing discussion. Speakers offered opinions and unsubstantiated accusations, with Rex Stout and others failing to present concrete actions for the present world crisis and U S role.
The Community Service Society offers Barnard students a chance to continue social service activities during summer. The notice emphasizes growing need for help in social work and urges interested girls to participate for valuable experience and community contribution.
The piece argues that U.S. policy advances toward war step by step under public opinion, with a growing standing army and imperial aims. It questions what the nation would fight for, warns of an AEF risk, and notes Congress may have effectively abdicated the war-declaration power. The writers advocate cautious aid to Britain without full participation.
Carlton Peck of Peck and Peck outlines key staff qualifications from buyers to advertisers and sales staff. He stresses natural ability, taste, forethought, and a dedicated work ethic as essential. A college intern demonstrated initiative by designing a suit concept, showing future promise.
Critics note Bette Davis delivers a striking performance that outshines the film's weak script. George Brent struggles to match her energy while Mary Astor also shines in a testy role. Costumes and music draw praise, but the overall plot remains dull and improbable.
Review notes good neighbor theme with Ethel Merman as Panama Hattie. Shows are musical variety with lively music and dance though plot thin. Audience reaction strong among business visitors. Porter conga noted as highlight and Porter music appealing to fans.
Gertrude Lawrence stars in a witty Broadway study of a neurotic fashion editor Liza Elliot. The show blends psychoanalytic scenes with memorable musical sketches, including Jenny’s Saga and Tschaikowsky discussions. Danny Kaye and Victor Mature provide comic appeal as the cast dazzles with Weill and Gershwin songs.
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