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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 19, 1932
Page
1
Published semi weekly throughout the college year by the Barnard College Students for the Undergraduate Association. Office assistant Catherine Stratewan.
The article praises Greek Games for their enduring vitality and communal value. It highlights youth, classic dignity, and form over speed, noting the cooperative effort behind the spectacle. It reflects on beauty, ritual, and the spring festival as timeless celebrations of execution and unity.
College students must file Major Slips and elective blanks with signatures from instructors and departments. Summer work rules require adviser approval for Columbia major courses and notify students by June 1 if substitutions are needed.
Harold Bauer performed at Town Hall on April 10 for International Student Service. The program opened with Bach in A minor, then Beethoven Moonlight, followed by Chopin Ballades and Franck Pastorale. Debussy and Ravel earned Bauer’s best praise, while Schubert dances unsettled the audience.
The cinema Golden Mountains at the Cameo Theatre signals how photography music speech and choreography fuse to form a dynamic medium. The Soviet film’s artistry is clear though its propagandist message remains. Peter the peasant’s rise to join city workers embodies pre-Revolution Russian peasantry.
Sir Thomas Beecham guest conducted the Philharmonic-Symphony Society at Carnegie Hall in a season finale noted for Brahms Mendelssohn and Wagner. Remo Bolognini’s Saint-Saëns violin concerto impressed, Delius Summer Night on the River offered brief impressionism, and Wagner Meister singer Prelude balanced the program before Brahms Second Symphony. The audience responded with enthusiasm as Beecham’s farewell concluded a season of minor works alongside notable editions.
Dr. Louise Rosenblatt reviews this year’s Greek Games noting smoothness and finish due to simplified effects and processional entrances. She praises the Sophomore dance as the high point with priestess and Bacchus choreography, color harmony, and ritual atmosphere, while urging slightly more dramatic interest and a stronger note of gaiety throughout.
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