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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 15, 1927
Page
1
Barnard College weekly bulletin compiled by the Undergraduate Association covers student activities clubs meetings and campus notices for the college year with campus life updates and announcements.
The piece critiques college impulse to influence policy views through uneducated sentiment. It warns against crusading dormitory activism and urges balancing altruism with informed, restrained discussion instead of loud, unresolved opinions. It notes students’ desire to champion oppressed groups without solid analysis.
The review notes a faltering first reading feel due to lack of rehearsal and overpowering brass. Furtwangler’s slow melodic passages show strength, Bach Brandenburg Concerto No. 3 for strings impresses, while Schelling Fantasic Suite blends unusual orchestration with a Virginia Reel finale. Ruth Cole man.
The passage argues that student zeal fades into complacency as time passes, while solid information persists as an uncomfortable prompt for future action after earning a B. A. degree. It contrasts feigned fervor with lasting influence on civic engagement.
A critic compares the Paramount Theatre and Roxy's as lavish yet tasteless relics of modern excess. He fears the decorative splendor, blaring music, and crowd energy numb the public, turning theatres into opiate palaces that stifle healthy reaction.
A whimsical monologue follows a moonlit chase as a tipsy narrator urges flight and play. The vivid scene imagines kissing the moon and dodging peril while a childlike chorus warns of falling. The voice blends dreamlike imagery with shy danger beneath a glowing night.
An appeal for an editor to rescue a casual campus column from overcast tone and tense nerves. The piece laments aging dates and creeping intensity while urging timely light and clarity to guide readers through a languid feast of words.
The Neighborhood Playhouse offers a light repertory program with two tone pieces and a Hungarian dance pantomime. Arlecchino and Isabella deliver witty, modest entertainment while White Peacock impresses with stylized stage design and colors. The review notes amateur charm and visual appeal over deep theatrical impact.
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