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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 07, 1936
Page
2
The Barnard Bulletin states it is published semiweekly during the college year by Barnard College students for the Undergraduate Association. It notes second class matter status entered October 19, 1925 at the New York post office under the act of May 3, 1893.
The Barnard editorial reflects on shift to new paper leadership and urges students to concentrate activity within the college. It criticizes outside political forays and highlights needed reforms in student administration grading standards and curriculum. It welcomes the upcoming officers and hopes for instructional governance.
Advisor Miss Margaret Hamlin notes few paid roles for women in agriculture, but practical experience enables independent ventures in dairy, poultry, greenhouse work, and market floriculture. Opportunities exist in office tasks, landscape work, and extension or research, yet startup capital and ownership often determine success.
Norman H. Hinton of the Sociology Department endorses a peaceful ant war movement noting warfare wastes energy and lives. The Anti War Strike will be held Wednesday April 22 at 11 in South Field with speakers including Mrs Franklin Delano Roosevelt Harold J Laski and Charles A Beard.
Diana Hirsh of Bulletin frames the student strike as powerful and meaningful with over one hundred thousand students demonstrating nationwide. Frances Henderson of Mortarboard questions impact but praises the idea, while Miriam Borgenicht of Quarterly calls it an effective nonviolent protest against war. Agnes Leckie of Social Science Union promotes a united front across factions for peace.
A critic lauds the play for its character driven humor and polished exposition. Leonie Frothingham portrayed by Ina Claire enchants yet remains shallow as she toys with lovers while her daughter Pauls tests her mother with radical ideas and a hypnotic psychologist looms ambiguously. The piece favors personality over plot, and while the exteriors charm, the inner motives stay unseen.
The film adaptation by Hugh Walpole stays faithful to Burnett's story, missing only the classic curls and lace. Freddie Bartholomew shines as Cedric, Dolores Costello Barrymore returns as Cedric’s mother, and the cast includes Aubrey Smith, Mickey Rooney, and Una O’C. The production offers engaging sets and solid acting, though the plot remains familiar and some scenes echo nostalgia with mixed taste.
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