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Newspaper
Barnard Bulletin
Location
New York, New York, United States of America
Date
Apr 02, 1940
Page
1
A fragmented notice from Barnard College records dates and details of exams and vacancies. It references the Usetergrecute Asocaoee Eetece and a location at Pose OSteea New York NY with a model Se Acct March 3 12 57 and a rate of 000 for rent.
The page shows an issue front with date April 2, 1940 and a list of editorial and news staff. It reads like a university or high school newspaper masthead with names in the associate editorial board and news staff, but specific articles or events are not readable.
The piece argues that the value of American Studies lies in its study method not in dramatic conclusions. Students and faculty reject grand claims of a new democracy theory, focusing instead on careful techniques and authentic approaches to understanding American civilization.
A new campus election system introduces parades placards and a Board of Senior Proctors fines for non recognition of candidates. Bulletin plans full pre election coverage and a college assembly to introduce undergraduates. Voting remains compulsory while enforcement and publicity rise.
Letters from students urge open nomination meetings and real campaigning. Proposals include mailed ballots, visible ballot boxes, candidate platforms in the Bulletin, and longer nomination periods. Critics note apathy and lack of candidate familiarity. some call for publicity to raise significance of campus government.
The review celebrates the revival of Memba's Daughters, tracing three generations of Southern Black women led by Mamba and Hagar. It praises Heyward's stage voice and Waters's adaptation, noting Hagar's humanity, her protection of Lissa, and the musical core of the play that carries deep emotional weight.
Alfred Hitchcock’s Rebecca translates the unseen influence into mood driven cinema with masterful direction. Laurence Olivier and Judith Anderson shine while Joan Fontaine’s performance anchors the tense study of obsession and murder. Claudine and other European films also receive brief nods, highlighting cinema’s varied moods.
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