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This newspaper page contains 13 articles. Subscribers can read the full text of each article.
Newspaper
Atlanta Constitution
Location
Atlanta, Georgia, United States of America
Date
Apr 04, 1915
Page
25
A fragmented piece on Hollywood figures discusses star talk, relationship pressures, and the role of women in cinema. It touches on gossip about spouses, lovers, and public image, with references to film industry figures and industry practices of the era.
A jumble of names, events, and dates from a historical newspaper page appears unreadable. It references marriages, performances, contracts, and promotions with scattered proper nouns such as persons, organizations, places, and dates, but most content is garbled beyond recognition.
The piece discusses a shift toward moving pictures featuring stage stars like Miss Villenm. It highlights investors and studios pursuing cinema, with praise forPhotographic material and the potential rise of a screen star in the era of early film.
A fragmented report accuses Carl Rowntree 15 of dedicating his filmic work entirely to mercenary themes. The fragmentary note rails at the direction of his dramatic efforts and questions the artistic integrity involved.
The article describes delays in releasing a film titled Husband Or Lover due to ongoing revisions. The production team cites weather work and other adjustments as reasons for postponing the public showing. Details from producer Mr Messer indicate a cautious approach to align the project with studio and audience expectations.
In a period announcement Samuel Hotdfish reveals a batch of Three Lasky features slated for April. Names like Bas Sweet and Mr Tlowe Peters are highlighted in a melodramatic program with Captee and Shohs the central pair. The showcase promises romance and notable performances across multiple titles.
Viola Allen will appear on screen as the leads in a film adaptation of The Vie Sister by T Manion Crawford. The production, filmed at Chicago studios by Lisanio, marks a milestone in her career after a long stage run with notable performances in Boston and Shakespearean revivals.
A fragmented review describes Frank Borzage's moonshine film with plot twists involving tensions between lovers and gunshiners. The piece mentions leads John Kloy and Molly Simms, with Ted Simms and production notes by Charles Swickard and distributor details.
The Vanderilt Cup race in San Francisco drew spectators including Mrs Wardrinl as General Manager Lewis J Selvnic oversaw a dramatic event. Criscolliged overturned, skidded, and shot past the track at a supposedly gentle pace as accidents defined the show. The film screens at Steind theater and the Hippodrome New York with striking photography and vivid interior shots of the Panama-Pacific attractions.
A Hollywood policeman directs traffic to honor actress Dorothy Gish after a tribute at the studio. Gish recovers from an illness and walks slowly, causing a cautious morning delay as officers at the corner manage the crossing.
Alamo no. 1 centers on a woman known for the WU Pet a Few through the streets amid a harsh life. The piece notes her tears and resilience, highlighting her guardianship of two children and a partner, with emphasis on daily struggles and social pressures.
A mixed bag of motion pictures tops the Montgomery program, featuring the film adaptation When We Were Twenty One and a second Paramount offering The Spanish Trail. Critics praise performances by Lihott and Waldron, noting human interest and ensemble strength amidst praised direction and production values.
A fragmented review notes the Savoy screening of a Mexican love story and Warren Kerrigan drama. It describes imagined scenes, a sheepherder costume, and cross cultural touches in a melodramatic era style. It mentions audience interest in the future of filmed romance.
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