Amarillo Globe Editorial Masthead Note
The Amarillo Globe lists GENE HOWE as Publisher and Editor and Wilbur C. Hawk as General Manager in the masthead. The brief line signals the paper's leadership lineup for editorial and administrative roles.
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Newspaper
Amarillo Globe
Location
Amarillo, Texas, United States of America
Date
Oct 31, 1930
Page
4
The Amarillo Globe lists GENE HOWE as Publisher and Editor and Wilbur C. Hawk as General Manager in the masthead. The brief line signals the paper's leadership lineup for editorial and administrative roles.
The Abilene Reporter warns Halloween can erode sense and urges care and securing movable porch items. It also notes Franz Kruckenberg’s 85 foot long combined train coach and Zeppelin, a ground bound flying car capable of 100 mph on rails, claimed safer and cheaper than planes, with tests promising yet curve handling uncertain.
An October discussion parallels a Labor Federation five hour day plan with Henry Ford's 1950 minimum wage forecast. The piece argues mass production requires high wages and short hours to boost demand, warning that future profits depend on sharing prosperity with workers and liberalism proving profitable in the machine age.
Stephen Dane and his wife Charlotte clash over bills and luxury desires leading to a strained marriage. He recalls past choices, fears divorce, and endures a tedious morning routine as they live as strangers, husband and wife, divided by ambition and debt.
The piece traces Halloween origins from Roman festival to All Saints Day and druid harvest rites, notes Christian adoption, and explains bonbons tracing to 13th century sugar imports. It invites reader ideas for the series with Russ Murphy and Ross Murphy at The Globe.
A collage of midtown memories and social satire opens with reflections on small town deferentialism, named figures from American society, and bustling New York life. The piece blends sharp anecdotes about editors, couture, and street corners with a fictional vignette of Charlotte Dane and Stephen, detailing routine domestic tensions and social obligations.
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In a kitchen scene, Mother Brown witnesses a tense standoff between Bobby Coon and Jimmy Skunk over a dish of food. The two animals threaten yet refuse to back down, then settle their dispute by eating together in a surprising moment of wary peace.
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