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This newspaper page contains 21 articles. Subscribers can read the full text of each article.
Newspaper
Amarillo Globe
Location
Amarillo, Texas, United States of America
Date
Aug 27, 1924
Page
3
Dorothy Dix argues that husbands often view wives as saints or burdens, overlooking their humanity. She stresses wives are human beings with emotions and desires, deserving respect beyond domestic roles.
The author argues that husbands view wives as dependent and emotional, failing to recognize wives as equal partners who invest body heart and labor into marriage. He urges men to consider wives as human beings and deserving of half the marital profits, not a gratuity.
The passage contrasts husbands who praise wives for feeding, clothing, and sheltering their families with the reality of wives laboring long hours at home and sometimes earning little money. It notes husbands hiring others for domestic tasks and questions why many women lack independent earnings.
A social critique argues husbands should stop viewing wives as dependents and instead support mutual pleasure. It stresses financial fairness, acknowledges domestic fatigue, and urges husbands to take wives out for occasional leisure to brighten home life.
A terse reflection argues that viewing a wife as less than human leads men to take her actions for granted, treating her as an expected constant rather than a person with agency. The observation highlights the dehumanizing bias within intimate partnerships.
A reflective line notes how lacking praise would drain motivation and rob him of ambition and reward for brilliant work, stressing the need for encouragement to sustain effort and success.
A reflective line recalls a husband blind to his wife's care as she spends hours cooking for him. He ignores her effort and palate, failing to recognize her devotion and the meal's quality, leaving her discouraged by his lack of appreciation.
A column argues vanity drives behavior and laments men failing to compliment their wives. The piece links respect to happiness and suggests appreciation strengthens marital bonds. The tone is moral and prescriptive, reflecting social norms of intimate relations.
A reflective passage argues that men undervalue their wives as human beings and fear losing love, noting a husband’s quick judgment of a wife’s neglectful habits and the belief that ongoing attraction requires effort from the wife. The excerpt hints at a broader theory about sustaining affection.
Peter Drew falls for Helen Marshall while she is engaged to Bob Powers. Helen reveals mixed feelings as Peter declares love. Bob proposes a plan to pause the decision for a week, hoping for clarity. Helen fears losing him but is drawn to Peter. Tomorrow—The Eleventh Hour.
New York fashion writer Corinne Love notes summer frocks featuring cascaded lace designs by Drecoll and inventive left side fronts. She highlights black mesh over flesh chiffon, and the rising popularity of printed chiffons and mousseline de soie for both afternoon and evening wear.
Dorothy Dix argues that affection survives brutality, men misjudge wives as they lash out then face divorce. She laments men’s failure to see wives as humans, suggesting harmony would spare much trouble.
The program lists Ben Alexander and Lloyd Hamilton in a full length comedy titled A Self Made Failure. The Liberty shows Ace of Cactus City with a comedy. Messton presents Cornered, a Warner Brothers mystery starring Marie Prevost in a dual role. Art Mix appears in The Ghost ge.
The review notes Charlie Chaplin's pioneering mix of humor and pathos and praises Lloyd Hamilton and Ben Alexander in A Self Made Failure. It calls the film largely a riotous comedy with selective, genuine pathos, and encourages audiences to see it before it closes at the Fair.
The photoplay Cornered shows old Chinatown with its sordid mystique including a coke addict in a tense urban tale. Mary Brennan, raised amid Chinatown, mirrors an heiress. Marie Prevost plays twin sisters with supporting cast Rockcliffe Fellowes Raymond Hatton John Roehe Cissy Fitzgerald Vera Lewis and Wilfred Lucas.
The Douglas MacLean comedy uses real professionals in scenes to heighten realism, a method traced to early studios like Lubin and Biograph. Clergymen, railway conductors, and train workers portrayed their own roles, lending authenticity to the Mis sion theater showing of Never Say Die, an adaptation of Willie Collier's stage hit.
A 1925 sewing note describes a homely hat with white soutache braid and large white buttons. It advises placing buttons at crown center front back and sides, circling them with braid, adding scalloped outer rim for a flowerlike ornament, and sewing multiple braid rows on the brim. If the hat is light colored use black braid and buttons.
The first of a series titled The Ace of Cactus Range screens today and tomorrow at the Liberty. A young man foils crooked diamond traders in Califente in a rapid-fire melodrama featuring Art Mix and Virginia Warwick in leading roles.
A jury commission of C. M. McCullough C. M. Humphrys and W. W. Flenniken met yesterday and drew juries for the November 1924 and February 1925 county court terms. Judge Sam R B Motlow presided as the August term convened this afternoon for civil cases and next week the criminal docket will be called.
Three yards of material with lace trim yields a frock pattern in sizes 16 years 36 3X and 40 bust. Silk crepes satin or cotton suitable. Send 15 cents postage to Amarillo Globe Pattern Department for Spring and Summer Fashion Magazine and New York pattern delivery in about ten days.
Beaumont August 27 Thomas F. Wood 28 a still man for the Rio Bravo Oil company at Saratoga burned to death Tuesday afternoon when an experimental still exploded.
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