12 Oct 1892
Page 1
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This newspaper page contains 18 articles. Subscribers can read the full text of each article.
Newspaper
Wilson Mirror
Location
Wilson, North Carolina, United States of America
Date
Oct 12, 1892
Page
1
Henry Blount offers a playful mosaic of aphorisms and witticisms on manners, language, virtue, and society. The piece riffs on politeness, infatuation, truth, slander, and friendship with humorous asides about vowels and fashion.
A moral sermon urges praising the living over flowers for the dead. It advocates cheering the forsaken, aiding the needy, and sharing kindness to brighten others and draw blessings from heaven in imitation of Christlike ministry.
A reflective prose piece voices the drift of life along fate and memory. It centers on a single life and heart, the fragile balance of hope and endurance, ending with a poetic question about rest and divine meaning.
In Wilson a father guards his son from a romantic pursuit by declaring that women at their best are mere illusion. The suitor counters with a sly line about loving delusions and exits with a flirtatious song. The father reflects on enduring themes of wooing and nostalgia for the old ways.
In Black Creek on Monday R S K spoke of a forthcoming event labeled a grand gala celebrating Genuine Democracy. He praised Waddell as the finest speaker and urged community joy and unity, though a passing interruption from Eddie ended the moment with a muttered objection.
A long, lyrical meditation on a young girl's first love. The narrator extols the purity and sacredness of nascent affection, describing her radiant delight as a lover approaches and the heart’s vaults open to a near heaven of devotion. The prose blends romance with idealized morality and celestial imagery.
An anonymous critic claims Lady Godiva did not ride garmentless through Coventry and calls the Eve garden narrative a fig leaf fabrication. The piece hints at bold assertions that garments and waistlines were staged for shock and commentary.
A dialogue at the gate reveals a woman urging George to ponder the stars and their silent procession while he admits the sky tires his neck after long gazing. The exchange hints at philosophical musing and curiosity about origins and the universe.
A young man asks Bessie if she won the prize in the church festival oyster eating contest. She confirms a large plateful in fifty seven seconds and wins another plate as prize. He asks to propose but urges spectators to retire from the sacred moment.
A whimsical seaside scene follows two individuals walking together. Both sigh as they drift along the shore, sharing a moment by the water’s edge and each by the other's side.
A reflective line questions whether a person has felt the sudden hollow sensation when stepping onto a place that seems absent. The spoken image suggests a mental jolt from an unreal ground beneath one's feet.
A writer notes captivity often shortens life yet cites married men who reach remarkable ages, suggesting exceptions to the rule. The observation contrasts general captivity risks with enduring personal longevity.
A distressed man named George explains his mood and shares a troubling verse about his mother and the shingle. The poem depicts fear, discomfort, and a tense family scene linked to a chastising tone.
A list of cautions urges steady conduct and self restraint. It covers keeping confidences avoiding unkind words and broken promises, tending kindness to others, and staying punctual without vanity or self glorification.
The wear of life comes from straining after the impossible and from needless burdens. Nervous excitement, alternating hopes and disappointments, unavailing struggles, feverish anxieties, and bitter failures harm health and happiness, destroying peace and prosperity.
A playful verse warns not to drown or season the oyster but to lift it from the shell and breathe gently. It invites the reader to tease the oyster with tongue and teeth and to savor the moment as the shellfish is enjoyed.
A lyric fragment notes a girl who can chant day and night yet cannot strike a match on her pants seat, asserting she is not built that way. The line conveys gendered performance limits and a defiantly playful tone.
A fragment of verse hints at beauty fading with time and offers a consolation that in about fifty years one will be “pretty old.” The lines reflect aging as a gentle, inevitable transition rather than loss.
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