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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
Weiser Signal
Location
Weiser, Idaho, United States of America
Date
Jan 31, 1903
Page
4
An article highlights evening wear fabrics for women and girls, praising faded crepe de chine for display pieces and noting pretty frocks in nets and gauze. It describes pompadour taffeta, plain taffeta with floral devoré motifs in red and pink, satin trimmings with sable, and a French waist in pale blue silk and Russian lace from Judic Chollet.
The text praises fabric quality and tailoring craft with vivid color notes. It highlights emerald tibeline for smart tailor mades and black with green combinations. It mentions pouched coats open in front and embroidered waistcoats as fashionable details.
The article surveys theater wear with wraps, capes, zibeline cloth, satin brocade and panne. It notes loose sleeves resembling Inverness cloaks, elven opera styles, gray tailor made outfits, long skirts, plisse chiffon trimmings, lace incrustations, and gowns like JUDIG CHOLLET with lace and ribbon.
The article beige pale nude and pastel gowns with fine fabrics, lace, embroidery and fur embellishments. It highlights afternoon toilets suitable for winter events, the revival of pastel tones, and colors like emerald green cerise and pale rose pink. It cautions against trendy colors and stresses timeless combinations.
A description of elegant dress elements including a beaver and leather trims with ermine borders and lace accents. The text notes string and stone colored laces, bordered with cloth straps and describes a pretty gown of paint d esprit illustrated in the sketch by Judig Chollet.
Fashion notes describe evening gowns using pale colors and white lace with pink slips, soft pink and blue trimming, and mauve flowers. Fabrics like accordion pleated chiffon mousseline de soie and crape are popular, with long frills and tight sleeves, and many dance gowns feature plisse ruching and circular insertion bands.
Fashion notes highlight Russian embroidery on gowns brightened by coppery tinsel. Plaited coats reach gown hems and feature elaborate facings. Garments show two or more furs, even on opera wraps, with satin coats trimmed in ermine and chiffon accents.
The article describes lace gowns with chiffon interlining for a misty effect and notes velvet as adaptable for reception skirts. It mentions a gown of yellow lace over pink silk paired with matching chiffon, attributed to Tudic Chollet.
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