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This newspaper page contains 20 articles. Subscribers can read the full text of each article.
Newspaper
Utah Ogden Standard
Location
Ogden, Utah, United States of America
Date
May 30, 1919
Page
4
Fragmentary notes describe tapestry craft across cultures with mentions of Indian and other ancient looms. The text laments fading art forms, fading colors, and the loss of skilled artisans while praising the value of early design harmony and spatial balance.
A compact guide details fern varieties suitable for home growing, describing popular species, frond shapes, and care tips. It notes the Boston trade interest, ornamental uses in corsages and bouquets, and distinctions among types such as Ruston and Sralthlids with emphasis on foliage, growth, and dress in Victorian interior decoration.
Foreign visitors note the scarcity of household items in American bedrooms and desks. They observe a cultural gap in habitations and accessibility to literature, music, and learning materials, reflecting a preference for neat, functional spaces over cultural objects.
The article discusses bedroom lighting options focusing on fixtures and placement. It suggests placing a central light near the bureau or overhead, with a glow shaped to suit the room. It mentions bedside or desk lamps and notes a potential portable option for a subtler, tea verde ambience.
A long reflective piece urges readers to bear personal sorrows without unloading them on others. It counsels restraint, warns against burdening friends with woes, and emphasizes self-reliance and mature coping to avoid overwhelming those around us.
A fragmented historical passage describes a curious collar fashion in old times, mentioning a Savion and unusual material choices. It discusses tactile effects, various shapes, and decorative detailing, with references to fabrics like organdie and chiffon, and notes on stylistic preferences.
A fragmented description of antique table screens and framed artworks at a display. It notes wandering visitors, a mix of English translations, and references to scenic landscapes and flowers. The piece evokes a gallery-like setting with ornate crafts and collectible verses, framed as kept reminders of pleasant scenes and nature.
Fragmentary text describes pillow coverings with colored beads, sounds, and a method to hold the chirring in place. The passage mentions a belt center and walling, with notes on sewing an insert to stabilize the pillow fibers.
A fragmented discussion on female beauty through the ages, noting growth, maturity, and cultural standards. It cites famous figures and dates to illustrate how beauty peaks at different ages, and how modern care and fashion shape perceptions. The piece emphasizes lasting charm over youth alone.
The piece muses on aging and female beauty, contrasting wrinkled, hairless depictions with artificial color help. It argues appearance should not define worth and questions how society reserves worth and beauty for women as age advances, urging inner value over external aging cues.
A fragmented instruction describes drying a sweater without proper rules. The text mentions placing a sweater in the den and an oven, warning to watch heat to avoid harm, and notes the sweater looks new once finished. The fragmentary guidance lacks clear context and safe practices.
A historical note laments the decline of letter writing and celebrates a revival. The piece recalls how letters carried personal warmth, invitation cards, and sincere wishes, contrasting past courtesies with present indifference. It highlights the social value and charm of handwritten correspondence in intimate exchanges and community life.
A fragmented recipe describes dissolving soda and certain additives for washing, advising on water temperature and agitation. Directions mention avoiding rust, testing a small item first, and not soaking too long. It emphasizes using warm or cold water and rinsing before drying.
A reflective piece recalls how sailors and families lagged months apart from ships. The article describes old fashioned letter writing with wax seals and crested papers, the joy and longing carried in each communication, and the emotional exchange between home and far countries.
A jumble of cooking steps and ingredients outlines several seafood dishes. The text mentions fish cakes, bonkana style waves, and patarsos with sieving and choppings. It references boiling water, draining, and frying steps, plus a curious note on a chopping machine and a sieve.
A fragment from a historical newspaper notes rising clothing costs and hardship for women, with references to dressmaking, shop offerings, and the burden of modern garments. It mentions sewing, gowns, and the impact on households, hinting at economic strain and domestic labor.
Fragmentary set of cleaning tips describes using brisa shavings from a machine and various household items to clean bottles. Instructions mention applying blue sealer and fabric, sugar, salt, or tebnere hag, with cautions about keeping surfaces soft and avoiding harsh scrubbing.
A vintage recipe advises mixing one pint of naphtha one quarter pint of linseed oil and six quarts of turpentine to make a polish for mahogany furniture. The preparation emphasizes thorough blending for a smooth finish.
The piece surveys women’s roles in wartime and social reforms, noting inspired activity from New York to Canada. It highlights female associations, wartime service shifts, and legislative talk, with names such as Mrs. Avinor Murphy and Marie stockman, and mentions the push for women in politics and industry. The report frames women’s increased public presence alongside ongoing labor and civic movements during the era.
Reading fragment outlines cleaning techniques for mirrors, advising on materials and steps to avoid damage. It mentions dust removal, wiping with cloths, using mild water, and small amounts of alcohol for stubborn grime. Warns against abrasive methods and advises gradual, careful cleaning to preserve the mirror’s surface.
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