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Newspaper
Utah Ogden Standard
Location
Ogden, Utah, United States of America
Date
Jun 05, 1915
Page
4
The Standard offers an accurate timely review of notable theatrical and amusement happenings with emphasis on local attractions. It highlights performances, venues, and notable figures shaping the entertainment scene.
At the Orpheum on Wednesday Al Ulson and company of 148 present good vaudeville. The show continues Thursday Friday and Saturday with matinee and evening performances.
Sunday and Monday June 6th and 7th Blandis Street in Stolen Goods. Tuesday June 8 Helen Gardner in The Breath of Araby and The Goddess. Wednesday and Thursday June 9 and 10 A Wild Goose Chase. Friday and Saturday The Builder of Bridges.
The Lyceum presents Francis X. Bushman in The Hermit of Lonely Gulch on Sunday and Monday followed by Dig Universal Program on Tuesday and Wednesday and The Black Box on Thursday and Friday. A Big Universal Program is scheduled for one Saturday.
At The Rex General Film Co. programs Cling and Chaplin comedies. Pictures changed Sunday Tuesday Thursday and Saturday with daily announcements to watch for.
Tonight Vernon Castle stars in a four part Mutual Master picture Hompelstutekin with a new Keystone Comedy. Sunday and Monday feature Strathmore a four part Mutual Masterpiece from OAide's novel. Also a new Keystone and Pathe News. Tuesday and Wednesday Who's Who In Society a sharp four part Georges Kleing comedy. Thursday Friday and Saturday Harold Lockwood in The Lure of the Mask with a new Keystone Comedy. Special: Comings Betty Nan ju Agia Kurenina.
At The Oracle tonight join the shows From the Shores of Time and A Day at the San Diego. Pauline Bush appears with Bunnay and Monday in When Love. Comedy The Battle of Russing Wilk on Tuesday and Wednesday stars Cleo Madison and Joe King in Dane The Black Fox. Thursday and Friday feature Cort Martaled 4 reel Wir Dri.
A reflective, period piece tracing the rise and decline of Negro minstrel companies in the United States. It notes American invention’s role in shaping the art form, its export to Britain and Europe, and the dwindling presence of troupes and performers like Johnny Wild and Dan Emmett with references to obsolete figures and touring patterns.
Pearl White credits Theodore Wharton as a key early influence in her career. She recalls meeting Wharton through Pathé and Wharton guiding her toward opportunities that built her stardom, including moves to Pathé India and later serial work with Wharton, shaping her rise in film.
The Mutual Melting Club reorganized with A. Kelsay as leader. Members include Raoul A. Walsii Paul Powell Jack B. O'Brien Charles Gorman and others. A season chartered launch will sail Catalina waters. Wives entertain after returns. hake fish served a la carte. a season end medal awaits the member with the top record.
A condensed review highlights Jul a Malone praised for feminine yet fierce allure in the starry portrayal of Misa Marlowe and Vieli while F. Glickman debuts as Herman Bower in The Last Concert. The piece lauds Malone for embodying a lively romantic yet resilient modern woman and commends Glickman for a heartfelt screen debut under director Mans.
A memorial oration for Charles Frohman voices the sorrow of colleagues as they recall his gentle humor, imaginative talent, and generous nature. The speaker praises Frohman’s private heart, stirring dedication, and the profound impact of his work in the theater. The tribute ends with farewell wishes from the community.
Thomas Jefferson, son of the eminent actor, gains fame in cinema. In a Majestic adaptation of Ibsen's Ghosts he plays the husband, showing expert handling of delicate material. Under D W Griffith, he proves a Jovial screen presence and follows in his father's disciplined acting lineage.
Mane Olive Fremstadt, renowned Metropolitan prima donna, will not perform west of Denver this season while touring in the Pacific coast and southern circuits. She is billed for eighty engagements across Portland Maine Denver Houston Palm Beach and New York, with the scope of her appearances spanning multiple major venues.
A youthful actor, around years old, is described making hay on set with several street scenes and a roving stance. The piece notes his energetic presence and growing role in the production.
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