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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
The Kemmerer Camera
Location
Kemmerer, Wyoming, United States of America
Date
Sep 28, 1910
Page
8
A collage of humorous exchanges and skits featuring punch lines about love partings, misheard remarks, and social gaffes. Characters include George and a forgetful narrator with snippets about a divorce, a museum of misread clues, and a countryman on a train.
A dialogue contrasts a woman’s moral stance with a man’s excuses. The first speaker notes that a man who blames temptation lacks true gentlemanly instinct, while the second asserts that gentility requires generations to develop. The exchange critiques gendered codes of behavior.
Fragmentary verse contemplates future paths and confident strides by great men, contrasting personal guidance with public rhetoric. The piece muses on learning truths beyond what others claim while urging steady progress and clear direction.
The debate split between public figures offering career guidance and graduates proposing government management strategies. The discussion highlighted contrasting views on how to steer public life and how leaders should run the state.
A Denver society girl returns home and quips about seeing no chicks hatched yet, claiming the woman told her none had hatched. The exchange touches on a clerk's job suitability and a claim about an employee being open to argument.
A garbled exchange questions Russia’s ban on Oscar Hammerstein and whether resentments stem from Hammerstein or the United States. The dialogue hints at contrasting views on culture and diplomacy during tense times.
A quirky town vignette notes rapid growth with 97 automobiles and no churches yet. A wife asks about perfection and a husband jokes about 100000 dollars. A science boarder mentions clocks ticking faster in winter. the landlady quips the gas meter does.
A garbled dialogue fragment touches on marriage, society, reformers, and tech changes such as electricity. Characters include Mra Parvenue and Bridget Malone discussing love, belief, and a fall from grace. The piece suggests a social satire of contemporary urban life with fleeting references to acquaintances.
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