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This newspaper page contains 17 articles. Subscribers can read the full text of each article.
Newspaper
The Kemmerer Camera
Location
Kemmerer, Wyoming, United States of America
Date
Jan 06, 1906
Page
3
A mixed set of late 19th century notes describes card frame assembly for Passepartout with glass and tape, then shifts to a vivid tale of a badger’s rapid digging behavior and how it relentlessly burrows to reach prey. The entry closes with a short vignette about a bear family and a mother’s discipline.
A fragmented indigenous story recounts Spike and Spangle the bear cubs who fall into a den and are saved by their grandfather. He teaches them to return to school, warns of the Dark Moon, and the cubs vow to stay together and obey, wary of both bear pits and the approaching red men.
A compact, period voice explodes into a digressive musing on hurry and accuracy. It traces the word hurry to muleteers and ancient horse drivers, noting German French and Germanic forms, with a playful emphasis on speed, delivery, and ancestral racing shouts. The piece blends folklore, etymology, and cheerfully antiquated slang.
A jumbled page fragment presents a string of gag dialogues and sketchy vignettes. Characters quarrel about a prop, a dentist jokes at a dinner, a teacher questions wages, and a comic strip artist’s overworked punchline sparks eye rolling. The dialogue trades in playful misreadings and social foibles with a vaudeville tone.
A reader recalls a grocer describing an offhand method of weighing sugar, noting a customer kept a hand on the scale while measuring five pounds, prompting questions about the practice.
In a garbled narration residents discuss sights around a town hotel lobby. Mra Stareom comments on exhibits while others hint at attractions like a museum piece. The dialogue hints at a quirky crowd debating what to view in public spaces.
A garbled excerpt shows a habitual adviser warning a youth about a perilous Mull of Panne setting. The style resembles a cautionary scene where ordinary people face social exclusion and mockery for failing to conform.
A playful dialogue snippet features a male and female character trading quick wits. The male asks how he can be more beloved, while the female recalls past chances at marriage or taming dangerous foes, ultimately affirming her choice. The exchange leans on irony and sharp banter.
Evila asks why a young girl is kept from play and Mine Cayenne explains it was the only way to keep the old wat child from playing to plana. The dialogue centers on a protective choice amid perplexing youth conduct.
A garbled recollection shows a tense dining moment where Mrs. Senator Nootitel complains of a mess and a missing order. The dialogue involves Mrs. Striator Struckile, Hicks, and Skinner, with light admonitions about philosophy and handling the situation.
Disjointed street dialogue references play, money and a character named Mulinally. The lines mention shooting craps for money, a motherly exclamation, and a young man denying. The text reads like phonetic chatter without a clear event or outcome.
Fragmentary text mentions march and several names including Mr Stiglare and Misa Hunye Ob. The passage is garbled with missing context making a precise news item impossible to determine.
In a corner 100 miles from help with rock walls on three sides and a grizzly on the fourth, Jorgenboen after long deliberation would say grace for the bear. Council Bluffs Nonpareil.
A fragmented exchange discusses a phrase used by a New Yorker to describe outsiders. The dialogue hints at regional identity and social labels without clear context or full sentences.
A man named Mr. Cumrox confesses his longing for the old comfort of home cooking and the simple stomach he once had in youth, revealing a nostalgic wish rather than a present deception about his desires.
A garbled exchange features names like Charley and Mrs Torkins and hints at tariff discussions. The text veers into misread lines about a servant, a keyhole, and espionage in a chaotic scene with stray phrases about a rabbit and a car, lacking clear narrative.
A garbled dialogue references actors Kendal and Wy, a painter named Footy Lightoob, and terms like Charcoal heathing and Dark Deeds. The text hints at behind the scenes, private moods, and mysterious activities in a studio, with mention of a wife sending a message and a hint of intrigue around performances.
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