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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
Seattle Star
Location
Seattle, Washington, United States of America
Date
Sep 14, 1920
Page
14
A reader blasts women’s dresses and independence, arguing men demand modesty and warning that suffrage leads to societal decline. Other letters defend biblical clothing norms, condemn French fashion's immodesty, and urge personal integrity and love over wealth in marriage.
A reader asks why men's views blame women for fashion trends and the downfall of discipline. Red Head answers that attire once screamed propriety while warning against predatory attention. another note commends Miss Grey's prior reply and suggests maturity, referencing autobiographies of America's richest men for perspective.
Flamicr finds the task of portraying Richard III demanding as he prepares for the part. The actor notes the intense physical and emotional commitment required to inhabit the villain on stage.
The description notes satin striped fabric handblocked into a de maré frock with a double rippled back bustle and shirred hip insets. Panels and insets are outlined by narrow black and white ribbon edging, contrasting with a blue gown boosted by a bold floral splash. An unknown fellow is praised for expressing praise.
Pantages presents Mammy's Birthday as the headline act with eight performers including Jen Welch in The Proximal Father and The Lost City episode concluding the program. The Kuhns sing their own material while Will and Mary Rogers perform a food crossfire sketch and trained animals appear.
Scald milk in a double boiler and when hot add tapioca. Cook fifteen minutes and melt cheese cut into small pieces. Stir constantly until melted. Add well beaten egg with a little cold milk salt and mustard. Serve immediately on toast.
Sir Marie Jenes er, the Scotch comedian, has just returned from Houdlhall and will perform in this country for a year before a farewell world tour.
A weary wife confronts her husband Rob about a late midnight return from the Miller house and a note she found. She clings to trust, recalls a favorite poem, and weighs loyalty versus perceived betrayal in a tense domestic scene.
The passage describes a woman drawing closer to her husband for warmth then pulling away with calm, deliberate movement. The scene emphasizes restraint over hysteria and signals a shift to measured, purposeful action in an intimate moment.
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