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Newspaper
Seattle Star
Location
Seattle, Washington, United States of America
Date
Oct 08, 1921
Page
8
Edéne Purviance appears in a new comedy with Mark Swain at the Liberty. He plays a dual role as a real gentleman in a dress suit while Boeworth is featured in a separate drama offering.
The note highlights Jack Holt in a Paramount feature with Eve Southern and Charles, praising a pretty little scene and dramatic talent as the Coliseum lends its space for the film showing.
The Colonial screens It Can Be Done a Fox western featuring Tom Mix with romance and action as he outwits villains. Earle Williams and Henry Barrows also star in the lineup alongside Jack Mathies and Thomas Sant.
George Fawcett known as the old Bull Moose of the movies rose from stage beginnings at the University of Virginia to supporting Italian tragedian Salvini and touring by boat to England. Recognition came in 1918 in London with The Great John Danton after earlier shows and the Big Bill era. He is celebrated as a foremost character actor on screen and his next role is Duquesnois in Peter Ibbetson.
Larry Lemon is described as a sound sleeper using two alarm clocks. A biweekly one reel sport review by Goldwyn is announced. Shirley Mason works on Little Aliens with Gaston Glass as her leading man. Ethel Kay to lead Hungry Hearts directed by E Mason Hoppen. Cecil DeMille guarantees no bathroom scene in Saturday Night. Patsy Ruth Miller stars opposite Cullen Landis in The City Feller. James Kirkwood to London for The Man From Home directed by George Fitzmaurice. Richard Barthelmess to headline a Browne story. Mrs. Raymond Hatton to play an important part in The Sign of the Jack o Lantern directed by Lloyd Ingraham.
James Neill and Edith Chapman return to the Lasky lot at Hollywood after two years away. They appear in The Husband's Trademark with Gloria Swanson starring and Sam Wood directing. The cast includes Stuart Holmes Lucien Littlefield Richard Wayne Charles Ogle and Clarence Burton.
Dorothy Dalton travels to California to work at the Lasky studio under director George Melford for Paramount in Mo ron of the Lady Letty, adapted from Frank Norris. Rudolph Valentino will co star in the lead roles.
Four world class fencers perform in most principal duel sequences of Douglas Fairbanks latest film son of The Three Musketeers. Participants include Professor H J Utenof former world champion Count Luminere long time French army instructor Emile Weitz a U S fencing coach and Douglas Fairbanks himself praised as nearly equal to them by his own instructor.
Jackie Coogan’s My Boy enters its ninth week of production at Hollywood Studio. Director Victor Heerman says several more weeks are needed to finish the feature. Viewers praise the young actor’s performance as the project nears completion.
Wallace Reid prepares to star in The Champion directed by Chester Withey for Paramount. The Screen adaptation by J E Nash from a stage comedy by Thomas Louden and A E Thomas follows Grant Mitchell's Broadway success. Reid finishes Rent Free. Lila Lee co stars in the comedy drama arc, adapted by Elmer Rice from Isola Forrester and Mann Page story.
Raymond Dutmare, a nature film producer and Bronx Zoo curator, plans a feature titled The Four Seasons. The project charts birds animals fish flowers and trees through spring summer autumn and winter with emphasis on natural scenes.
Movinizzes lists Life's Darn Funny with Pan-Viola Dana as French violinist. Grace Darmeond acted opposite Wallace Reid in The Valley of the Giants. Dor othy Devore played in Forty five Minutes From Broadway. Evelyn Nesbit, Dor othy venport and Pauline Curley are noted figures with varied careers. Mentions of Ben Hur filming and Wesley Barry in Penrod conclude the gossip.
Paramount stars Elliott Dexter and Dorothy Cumming have arrived in England to appear in London studio productions for Paramount British Producers Ltd. Cumming, seen with Mae Murray in Idols of Clay and in Sam Woods's Don't Tell Everything, has been specially engaged for future Fitzmaurice projects overseas.
Victor Herbert will conduct the orchestra at the Strand, a New York movie house, as film talent increasingly links with music. The trend spans writers, actors, painters, and composers who are now connected with the cinema in major ways.
A Washington barber installs posters over every chair to promote a new film. Dwight Crittenden lies ill in bed while Lon Chaney is reported in a Lon Chaney fieldwyn production. Billie Burke leaves cinema for stage. Thomas H Ince produces a screen Apne Q Nilsson dreams of an Ibsen role.
Universal star Herbert Rawlinson outlines censor ideas amid agitation against censorship. He argues against on screen killing intense loving embracing kissing shaking hands smiling and other gestures that might spark jealousy or affection. He suggests removing such scenes to prevent influence on viewers.
A Washington dispatch reports arrangements for a showing of George Arlias film production Disraeli before President Harding in the White House. The president has long studied Disraeli and absorbed much of his career as a leader of English thought.
George Arliss engages Donna Kenyon as leading woman for Idle Hands and contemplates Richelieu after completing that picture. After Disraeli on screen, few actors seem as well fitted for Richelieu as Arliss. Qufford Robertson had been a favored stage bet for years.
Rex Beach wrote his first dramatic work in 1897 during Nome Alaska's gold rush to raise cash after going broke. With two vaudeville houses in town, he quickly assembled a violent melodrama, produced it himself, and earned a bag of gold dust from the box office before leaving.
Nazimova contracts with United Artists to handle releases of her upcoming productions. She selects Oscar Wilde's Salome as the companion picture to Ibsen's A Doll House for her first repertoire program, pairing classic stage works with film.
Comment on who writes opening titles for Selznick Pictures notes Owen Moore stars in Love Is an Awful Thing as his next project. The remark questions the quality and tone of the production.
Gaylord Lloyd performs a series of golf themed gags in the work A Zero Hero, delivering humor through club theatrics and sport satire. The piece centers on Lloyd's comic persona and playful audience engagement.
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