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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
San Antonio Light
Location
San Antonio, Texas, United States of America
Date
Sep 03, 1930
Page
15
In a dim woodland scene a worm and a frog discuss learning to jump. The frog boasts and explains its limitations while the worm learns about schooling and effort, revealing themes of growth and perseverance in a quirky dialogue. The tale ends with the frog urging quickness in learning and suggesting a playful lesson about jumping.
A vivid description outlines a summer evening outfit featuring grayish green fabric, wide sleeves, and pale pray fox fur accents. The ensemble includes a pale beige ribbon wrap and a chiffon lined coat with a large fox fur collar, suggesting plotting alternatives like a white evening wrap and contrasting yoke and skirt.
The piece argues against condemning others for faults while ignoring one’s own. It notes hypocrisy in judging another’s drinking while failing to cure personal nibbling habits. It claims different weaknesses share a common human frailty and urges self awareness before criticizing others.
A vintage culinary column covers onion dressing methods and fruit salads, detailing custard dressings, divinity variants, and pineapple, maple, and divinity dressings. It describes melon varieties such as honeydew, casaba, Persian, and cantaloupe, with notes on rind color flesh texture and serving ideas.
A fragmentary column debunks beauty myths about facial contortionists and massage. It warns against overzealous attempts to preserve youth, noting the risks to tone and expression and advocating gentle care and fresh air for a natural look.
A set of etiquette questions and guidance by Kathryn DePeyeter about home weddings. Topics include whether a mother should wear long sleeves or gloves for evening nuptials, whether the bride wears gloves at the reception, signing the register, greeting guests, and how to cut and serve a layer cake. The piece offers tips on appropriate attire and proper conduct for hosts and guests.
A fragmented OCR item presents a playful riddle style line about a Tayer cake and keeping Tahers taped, with stray phrases suggesting a children’s puzzle or poem fragment. The readable text hints at a quirky culinary wordplay and its convenient method, though most of the source remains garbled.
In Hazel Livingston’s Lucky Girl Cathie, a wealthy socialite’s life embeds fashion, romance, and tension over wealth. Cathie’s fiancé and party circles pivot around ambition with Mr Farnsworth’s secrets and Cathie’s evolving relationship to money and marriage.
A fragment from a column on marriage norms contrasts women pursuing men with biology and social change. It argues that pursuer dynamics are natural across species, not mere economics or custom, and notes a personal scene of anticipation and tension as a character awaits a guest.
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