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This newspaper page contains 8 articles. Subscribers can read the full text of each article.
Newspaper
San Antonio Light
Location
San Antonio, Texas, United States of America
Date
Mar 21, 1922
Page
3
A fanciful tale claims spring brings strawberries and a dream reader called the Spook Eitan, a self described diviner of dreams. In a surreal dialogue with St Peter, the figure recounts rising higher each year and encountering a tiny being who speaks of souls and a strange ascent.
Fragmented analysis of regional tariff aims and protectionist strategy in the South. References dispute over equity and national policy, noting tensions within groups advocating protective measures while resisting broader federal schemes. The piece hints at persuasion efforts and caution among lawmakers and rivals.
The article discusses protectionism, noting that the Fordney tariff's valuation would raise duties on farm goods when prices are high and lower them when prices are low. It argues farmers gain little from high tariffs on their products while manufacturers could raise prices, undermining any potential benefit. The Southern Tariff Association backs the policy, but the piece warns farmers would still lose under the plan.
An English critic Sir Quiller-Couch argues prohibition harms literature while the Wesleyan president presses back. The piece then shifts to British ambassador Auckland’s public remarks on the Pacific treaty, facing U S Senate critics and parallels to past Irish resolutions, with side notes on a San Antonio robbery, income tax, Gandhi, and Ireland’s situation.
The text presents a garbled historic page fragment describing a dreamlike procession in an old village scene. It references hymns and repeated mentions of "Old Hundred" and other tunes, with partial lines about a matriarch, a ladder, and a chorus of voices. The legibility is poor. key names or events are obscured, but the feel is a long lyrical vignette from a decayed newspaper page.
In a rough narrative set around a harsh winter, a farmer named Haven faces a coercive feud with Morehead and a violent past. A confrontation on a snowbound road leads to an ominous revelation about danger near the Morehead family and a fledgling romance tested by threats. The tale follows trauma, secrecy, and a looming legacy of violence amid a rural community.
Fragmentary OCR reads like a 19th century court sketch with: a defendant plucked from a tangled narrative, a chauffeur joining a lay Angedin scene, Kinzie business mention, and a mother’s gift amid a torn dialogue. The piece hints at a legal proceeding, defiance, and social tension in a stylized, clipped manner.
The readable fragments list place names and venues such as Yardovle Majestin Pine yataliin and Taew vaudeville scenes. It mentions clubs in Taenelsaw and a Wednesday event with unclear dates and participants.
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