Not Ready for Monster-Situation Comedy Says Bombeck
Erma Bombeck complains about television shifting to monster themed shows. She describes vampires, blood, and horror programs frightening her family and causing sleepless nights and odd dreams. She urges turning off the TV for calmer evenings.
MENTIONED IN THIS ARTICLE
Erma
Erma Bombeck
War of Children teleplay shot in Northern Ireland
AP reports filming began in Belfast as two IRA guerrillas died in an accidental blast while aiming at a border post, pushing Northern Ireland bloodshed to 527 deaths in three years. The teleplay presents a gentler story backdrop.
MENTIONED IN THIS ARTICLE
Northern Ireland
Ann Landers Advice Column Fragments and Reflections
A reader asks about gender attire in public and being ahead of fashion. Debates on crossdressing as a matter of time and social norms. Another letter questions parental privacy, with Ann’s stance supporting a teen’s right to private mail and choice of sharing.
MENTIONED IN THIS ARTICLE
Dear Ann
Columbus
George Washington
Third Kingdom
Ann
Mom
Mr. Wrong
Mr. Right
Dear Abby and Dear Ann in Our Way column dialogue
A reader column excerpt features anonymous letters about marriage troubles and personal issues. Topics include a long unhappy marriage, an affair, and a young woman with excessive sweating hyperhidrosis. The text references seeking advice from Dear Abby and Ann Landers and promotes The Bride's Guide.
A War of Children. TV drama on Belfast families
CBS to air The War of Children on December 5 set in Belfast with Protestant and Catholic youths forming a fragile friendship. Filmed largely in Dublin under precautions, production notes reveal tension over gun use and security, as actors in British uniforms sparking local reactions amid Northern Ireland unrest.
MENTIONED IN THIS ARTICLE
CBS
Belfast
Dublin
George Schaeffer
James Costigan
Northern Ireland
Schaefer
IRA
Hollywood Films Under Fire From Activist CORE Leader
Conrad Smith, Western regional CORE chair, warns militants may target Hollywood films featuring black characters unless producers meet CORE standards. He criticizes many Poitier and Black exploitation titles and suggests dramatic theater boycotts or violence to cut industry revenue.
MENTIONED IN THIS ARTICLE
Hollywood
Conrad Smith
Congress of Racial Equality
Smith
Los Angeles
Benjamin Patton
Shaft
Prrtrays
McKenna
Poitier
Patton
Black
Amos
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the Berets
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Phyllis Diller profile by a Hollywood columnist
A humor-tinged portrait follows Phyllis Diller from a Washington club appearance to a wider cultural icon. The piece cites Diller’s distinctive act and hairdo with sharp, playful jabs, interlaced with reflections on fame and a sidebar interview with Cleavon Little about film and black representation in Hollywood.
MENTIONED IN THIS ARTICLE
Phyllis Diller
Napoleon
Waterloo
Ford
Edsel
Texas
Washington, D.C
Camp
Runamuck
Phyllis Diller Finds Fame From a Comic's Closet
The author recounts discovering Phyllis Diller in a broom closet and promoting her by signing her for a TV appearance. Diller becomes a breakout hit, returning four times, later penning a household hints book and expanding into clubs, concerts, and film projects. The narrator notes mixed feelings but gratitude amid sensational attention.
MENTIONED IN THIS ARTICLE
Menninger Clinic
Phyllis
Zoo Parade
Phyllis Diller
Beff? Barking Barbs At Prolific Promaine Tavern Menu
Beef dominates the menu at the Promaine Tavern drawing diners into a simple, focused exchange. Patrons linger over hearty fare as the chat centers on food, price, and the tavern’s casual ambiance.
MENTIONED IN THIS ARTICLE
Promaine Tavern
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