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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Oakes Weekly Republican
Location
Oakes, North Dakota, United States of America
Date
Dec 04, 1891
Page
2
Explanation of weather flags describes meanings of white blue red and black pennants and their placements. It covers signals for clear fair weather, warmer or colder temperatures, rain or snow, and approaching cold waves. It also notes how flags should be displayed and read from various supports and the interpretation of combinations for forecast trends.
A dense discussion defends protectionist policy stressing diversified industry boosting wages and national independence. It warns against tariff reform advocates and outlines perceived risks of free trade strategies, citing New England labor and material subsidies as a line of attack on protected sectors.
Fragmenteret tekst beskriver politirapporter om bortkomne varer, anklager mod præster og religiøs polemik. Nævnte personer omtales som mistænkte og parter i ophedet debat, mens kriminale og religiøse temaer flettes sammen i en tidlig 1900-tals stemning.
A fragment from a historical piece discusses gendered fashion as a sign of mental balance, noting that patients in asylums wear patchwork garb and use ornaments as indicators of a diseased mind. It describes women in flamboyant, impractical dress and the social gaze upon their appearance within crowded city streets.
The December issue centers on Christmas with a new cover design by George Wharton Edmunds and a reproduction of The Holy Family by Du Mond. It includes engravings of The Arrival of the Shepherds and The Annunciation to the Shepherds, plus a Madonna by Dagnan-Bouveret and poems by Edith Thomas and Mrs. Mary Mapes Dodge. It also highlights Mr. Stillman on Raphael and Cole's engraving of The Madonna of the Goldfinch, alongside other Raphael works and related pieces.
A vivid Chicago street tableau describes a long queer man with iron curls and a stern dressy woman on Wabash avenue wearing a bright blue dress and bonnet. The piece notes their peacable, unconcerned behavior and hints at comic spectacle in the neighborhood.
A garbled historical text presents a chaotic tableau with names and places scattered through a dense, disjointed monologue. The fragment mentions Victory, Montague, Mem Reteht, and Val Liles among others, weaving a surreal, stream-of-consciousness portrait with abrupt shifts in focus and era, reflecting a damaged newspaper page.
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