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This newspaper page contains 16 articles. Subscribers can read the full text of each article.
Newspaper
New Oxford Item
Location
New Oxford, Pennsylvania, United States of America
Date
Aug 13, 1925
Page
12
Joan and Lancaster race toward Avonmouth as he undertakes a risky operation. A shadow of Myers haunts their path while Joan frets over danger and truth, fearing a trap and waiting for news as rain falls on the lonely institute.
In a rain soaked scene Joan Wentworth anxiously fears for Doctor Lancaster. Mrs Fraser consoles while hinting at hidden enemies and the doctor’s struggle with his habit. The wait among staff and lovers intensifies as the afternoon drags on.
A fashion column highlights winter sportswear with tweed and kasha fabrics. It notes urban sports outfits featuring fur trimmed dresses, fox collars, and varied coats, plus hats and scarves in bold colors and textures.
A Paris fashion note in the New York Herald highlights the season’s overcoats with four or six buttons and back slits, in brown, pepper and salt, or beige. It also surveys Uteb’s midseason sports outfits featuring short jumpers, knife plaiting, wrapover skirts, and straight jackets in tweed and duvetyn fabrics.
Lesson on John fourteen outlines Jesus promise of heaven as the Father’s house, the way the truth and life in him, and the Holy Spirit as comforter. It emphasizes returning to God, the Spirit’s aid in memory and understanding, and the peace given to believers.
The city name Newport News likely combines Newport and Newce. Captain Newport led the first Virginia voyage and William Newce was an early colonial treasurer. Julia Smith noted the later form Nuse in her writing.
A terse report notes a landlady in Bow described as violent a year after her wedding to a bald husband. The item comments on domestic strain following matrimony and notes public concern about their behavior.
Fashion relies on Directoire era influences with bold burgundy and bottle green tones, violent purple accents, and dull gold. Designers adapt picturesque male costumes from that time, molding them to contemporary styles with smooth fabrics and high luster satins.
The article describes many peaked crown variations including four and three dented tips and helmet ridges. It notes the pointed crown suits younger individuals while the side to side helmet ridge fits older women with fuller faces.
Smart velvet coats in various cloths with light-colored fox trim lead the blue evening wear trend. White fox dyed light blue and ble shades appear in coats and gowns, with velvet or chiffon gowns heavily beaded and embracing gold and silver accents. A blue wrap and small felt hat with a crystal pin complete the ensemble.
Describes new bandeaux styles featuring rhinestones on tulle bands with rus sian design elements. Notes brown tulle point front bandeau with embroidered rhinestones, side point variants, and a rose satin draped band with rhinestone work. Mentions crepe de chine scarves, ostrich fringe, rose clusters, and shaded silk hose as accessories.
Fashion snippet describes an evening wrap in velvet with chinchilla trim paired to a matching frock. The piece notes rich materials and coordinated design, conveying a refined, era-specific taste in textile ensembles.
Quote attributed to John Ruskin on improving effort by quality over quantity. It emphasizes method over sheer output rather than asking how much to do.
A compact line urges performing the immediate personal duty and hints that a second duty will become clearer with effort and reflection. The fragment reflects moral guidance and a call to action without specifics.
Fragmentary verse reflects a riddle on time and place. The lines hint at certainty of numbers and the impossibility of an inverse relation, suggesting philosophical musings rather than a concrete event or person.
A reflective line contrasting worldly joy with godly sorrow, noting that worldly celebration often ends in sorrow while spiritual sorrow leads to lasting joy.
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