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This newspaper page contains 28 articles. Subscribers can read the full text of each article.
Newspaper
Murray Eagle
Location
Murray, Utah, United States of America
Date
Dec 26, 1929
Page
3
The piece shows a black silk flat crepe dress with a white georgette neck and Persian fringe bolero. A Paris-influenced ensemble highlights a black and white look with a brimmed hat featuring a nose detail and a white gardenia. The bolero can pair with a matching skirt and blouse for a trendy midwinter update.
A story titled The Naughty Gnome recounts a boyish prankster who taunts peers and erases hurtful words on a slate. Professor Gnome confronts him with a slate that cannot be rubbed clean, warning that mean words stain the bearer’s character.
Western town merchants allegedly dodge a parking summons by hiding an alarm clock in a parked car. The device allegedly set to warn as time passes, prompting the merchant to rush out and move the vehicle to a new stall before officials arrive, according to Utility News.
A fragment prompts readers to glance outside and see the inside if possible. The line echoes a reflective voice attributed to Lan Angeles Timea, suggesting a balanced view of narrative perspectives.
Jean faces mockery from Meda over a shy nature. A kindly florist helps her with flowers that spark admiration and a flowering romance. The gesture shifts Meda’s attitude as Jean gains confidence and looks toward future meetings and a real date.
In a tale from 1925 misprints, a gnome named Uute awakens from a dream and fears his slate will condemn his past meanness. He slowly reforms, ceasing hurtful acts and overheated tempers, gaining popularity though finally exhausted by the effort.
The terms puncheon and slab refer to woodworking pieces from logs. A puncheon is a split log or heavy slab with a smoothed face, while a slab is the outer piece, with or without bark. In days of wooden floors, some locales used puncheons for interior pieces only.
A newspaper feature explores fur as a versatile fabric for high fashion and novelty. It highlights ermines, caracul coats, and extravagant styling, noting designers now treat fur with fabric-like versatility and artistic flair, as Mary Nolan and others model striking ensembles.
An article discusses onions as a versatile, inexpensive healthful staple, noting vitamin retention when raw and frequent serving for families with children. It provides cooking tips and several onion recipes including roasted onions and potatoes, glazed onions, onions baked with tomatoes, scalloped onions, and a cheesy phe dory dish, with detailed steps and sugar and butter usage.
In a vintage note, F. TH. Collier recalls that facial hair faded after the Civil War as mustaches lingered briefly while beards fell from favor. Presidents like Harrison wore beards last. The trend toward clean shaven cheeks grew, with upper lips left bare, leaving future revival speculation open.
At a Los Angeles gathering described by Robert Castle, dentists discuss teeth while an observant boy sits on his father's knee. The boy remarks that his father does not use his own toothpaste, having seen him remove his teeth and wash them in the sink.
Dan Ryan Jr has risen to a prominent white collar post in a major city department through steady effort and detail oriented study. He struggles with the change from khaki to dress attire and is amused when young Dan asks if he will keep dressing dirty as before, reflecting family ties.
A quotation from Athenaeus in The Delphinosophists about men abandoning the seen for the uncertain, often failing to gain what they expect and losing what they had through an enigmatic calamity. The note cites the work and a historical date around A. D. 200.
Dr Barnardo Homes, a charitable organization in Great Britain for children and young people, operates throughout the empire. It now cares for more than 5400 youngsters, with an average of five admitted daily and 15,000 cases handled last year.
Reflections warn against self pity and mourning failures. The writer stresses honesty about faults, self blame, and redirecting pity toward others to grow. It frames life as a lesson learned through self awareness and constructive response rather than dwelling on loss or grief.
The New Bedford Standard notes added interest and questions a growing following for Van Sponger. The piece implies debt and obligations may influence his support as observers suggest he owes many people.
A fragment notes sugar used in candy making mixed with cornstarch or flour to prevent cording. It attributes curdling to the acid in brown sugar, suggesting acid causes the issue and starch additives may prevent it.
A cryptic note on an essay or poem fragment appears in a periodical titled For All the World. The text hints at a wordplay or invented term Aportemoanehip and references a person named Charlie Mad, with vague commentary on global reach and collaboration across scenes.
A garbled prompt fragment asks whether the mate is true and mentions mileage and a long, unclear fall or failure. No identifiable people places organizations or concrete events are present to anchor a proper news item.
A brief note argues that need spurs invention and pushes power to create new tools. It highlights how resource constraints prompt clever solutions and the drive to harness energy for practical ends. Strong entities are implied but not named in detail.
The Old Washington Hotel on Pennsylvan ia avenue, built in 1826 and once the region’s largest south of New York, was bought by the city for a new municipal center. Notable visitors included Henry Clay and Old Hickory. Lincoln’s inauguration day saw sharpshooters on the roof. The hotel also served as the AFL headquarters.
Super Tolle Pegey Udell says films drive girls toward convents while ridiculing modern cinema. She notes a man’s remark that no film differs from a perfect superfilm, and jokes that ticket prices drop at superfilms.
A fragment suggests a debate over local rules about public affection on Sundays. The text references selectmen and a couple, Dame Fish and Dame Plalhemith, hinting at a law or social norm restricting a man kissing his wife on a Sunday.
Nine tenths of my success, says Mibert Kahn, skyscraper builder, to the American Magazine, has come because I listened to what people wanted and gave it to them.
An archival fragment from Cologne humor pages notes a dialogue about mirrors, with lines including I want a mirror and No, One for my face, reflecting playful banter in a late era publication. The fragment hints at a serialized joke or caption contest element in Lustige Kol per Zeltung.
A playful dialogue centers on how to tell a look alike from the real star. The reply is sharp and concise: I never try. The exchange highlights humor about impersonation and vanity in old film circles.
A fragmentary line asks a crude question about handling divorce money, mentioning an unclear phrase "fay Liberty bende" and the speaker as a girl or woman. The source text is incomplete and lacks verifiable context or names.
A garbled text fragment recalls a moment of proposal and misplaced emotions, mentioning looks and a lingering impression. It hints at memory and sentiment but lacks clear facts, names, dates, or concrete events. The piece reads like a personal reminiscence with uncertain capitalization and structure.
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