He Said It High Art Clash Sparks Debate
He said that is high art. another speaker counters that it is high art. The exchange centers on definitions of art with impassioned remarks and insistence on the value of artistic expression.
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Newspaper
Moulton Eagle
Location
Moulton, Texas, United States of America
Date
Jul 25, 1941
Page
3
He said that is high art. another speaker counters that it is high art. The exchange centers on definitions of art with impassioned remarks and insistence on the value of artistic expression.
Mrs Browne recalls courting, her husband answers that a trap does not chase a mouse but catches it. The dialogue warns that some women make a fool of a man while reminding of other women who have made a man of a fool.
A brief dialogue hints at personal decision though phrasing remains fragmentary. The exchange centers on whether singleness is necessity or choice with the speaker affirming it as necessity and her chosen path.
A child asks why lightning bug lightnings make no thunder when observed with his mother. The dialogue presents a curious exchange about natural phenomena and weather.
Hollywood highlights include Joan Crawford and Greer Garson teamed for When Ladies Meet a screen version of the stage hit. Robert Taylor is the male lead. Edgar Kennedy plans a personal appearance tour with family. Katharine Hepburn prepares The Woman of the Year about a journalist married to a sports writer.
Miriam Hopkins pulled out of the film Bad Lands citing two reasons. She felt the role did not suit her and that leading man Robert Stack was too young for the part. The piece notes Jack Holt’s offspring are thriving in film and mentions Tim and Jenny Hopkins in 1941 42 projects.
Cleo Manning debuts as a star after a kiss from Clark Gable in Honky Tonk. Metro pushes young talent in Down in San Diego about amateur detectives uncovering a Nazi plot. Lili Damita and Sean Flynn leave hospital for home. Mona Maris to film two pictures in Argentina. Ann Sothern signs Metro contract. Richard Arlen set for three melodramas at Paramount.
Cherie Nicholas notes that modern style hinges on flawless foundation garments to sculpt smooth contours. She highlights corsetry as essential for achieving slim waists and graceful lines in summer outfits, from redingotes to coordinated jackets and one piece dresses.
The vogue for long torsos brings back middy blouses with a lowered V line neck. Designers pair middy sweaters with pleated skirts for a smart look and favor white wash fabric for middies.
City fashion features show cottons taking center stage this summer with gingham seersucker chambray organdy and boucles praised for chic charm. The practical jacket suit in dark checks crinkle seersucker plaid gingham or striped chambray tops the season.
The latest formal sweaters use pastel wool and velvet ribbon. They sit just below the bust with a deep scalloped V neck and short sleeves, offering a refined bra-influenced look for an evening fantasy.
Lace designers plan to trim mono tone frocks with Venise lace dyed to match the fabric. The summer trend features stark white stiffened Venise lace as a standout element, with fall plans to coordinate lace color with textiles.
A feature promotes gaily flowered handkerchiefs as summer accessories. Options include life like roses painted designs, large poppy patterns, and violets in purple tones to complement current fashionable outfits.
Pattern No. 8970 offers an uneven size pattern for 2 to 6 years. Size 3 dress and bolero requires 214 yards 35 inch material. Includes panties bonnet and sundry pieces. Send your order to the Pattern Sewing Circle.
The article notes marriages in submarines, on peaks, with handcuffs, in jail, and one man wed his housekeeper in his first wife's tomb. An ad in a Chicago paper invited couples to wed in 26,000 gallons of cherry juice at Cherry Festival, drawing many applicants. Two years earlier a parachute wedding was attempted but abandoned due to coordinating clergy and couple.
A concise moral epigram notes that merit earns honesty from men while luck earns public esteem from the masses. The adage contrasts internal virtue with external fortune.
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