Defining personality in Casneron tale
A Norh American prose piece debates what personality is and why it matters on stage and in sales. It proposes quirky tests and ends with a playful claim that personality might be human electricity.
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Newspaper
Monroe News Star
Location
Monroe, Louisiana, United States of America
Date
Dec 06, 1921
Page
3
A Norh American prose piece debates what personality is and why it matters on stage and in sales. It proposes quirky tests and ends with a playful claim that personality might be human electricity.
Overblouses shown with skirts and blouses in knit fabrics wool and velvet. First model brick red jersey with self color embroidery satin blouse. medium size yardage 334 44 inch jersey 214 satin 36 inch. Second design striped flannel with georgette underblouse silk soutache braid. yardage 4 flannel 2 georgette. Prices 30 30 30 35 cents. Palace pattern.
The Saenger audience praised Coincidence a Metro release for its entertaining rapid-fire humor and suspense. Robert Marron as Billy Jenks and June Walker as Phoebe Howard drive a tale of misfortune and love from a Fifth Avenue store to a happy ending, with Harold Lloyd’s Bliss and a news reel on the bill.
After months of previews the Orient musical Chu Chin Chow will be staged at the Saenger theatre under Fr. Ray Comstock and Morris Gest. The cast features Joan Renville as Marjanah Edward Kiefer as the cobbler Louis Le Vie as Kasim Baba Gladys Barleott Mabubah Adelaide Mesmer Aledom Hattie Garmontell as the slave buyer and a ballet of 60 dancers.
In a humorous piece Axel shows Ole a painting of a man with a jackass, sparking Ole to question the subject. The comic scene plays on mistaken identity and cultural misunderstandings as Ole admires the art.
Oscar Asche writes a tale from ancient Baghdad with music by Frederick Norton staged in America by E Lyall Swete. The show runs in New York at the Manhattan Opera House and Century Theatre with the same London cast and production crafted in London. The tale follows Chu Chin Chow’s entry into Bagdad, exposing his robberies as Zahrat al Kulub foils him amid songs dances and 18 numbers.
An aging reflection on life priorities noting that lasting delight lies in common flowers and old friendships rather than wealth or fame. The poem contrasts ambition with eventual peace and memory of simple daily joys, ending with a factual line about the world consuming 1 200 000 tons of coal.
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