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This newspaper page contains 17 articles. Subscribers can read the full text of each article.
Newspaper
Mays Landing Record
Location
Mays Landing, New Jersey, United States of America
Date
Jun 13, 1903
Page
4
Poem reflecting a weary parent finding relief in the love of a golden-haired baby. The speaker describes despair, fatigue, and the road of life, then turns to the child whose adoration brings sunshine, warmth, and renewed resolve. The piece closes with gratitude, Buffalo News Mews.
In Toronto Saturday Night a narrator asks Phyllis to marry him after seventeen proposals and playful banter about ages and scores. Phyllis, never fully serious, teases and finally hints this is a new beginning rather than a final climax.
A Detroit resident boasts of weather tracking against a man with a memorandum book. The rival cites December had three cold days and claims January and February coldest days, exposing the oracle's flawed memory and provoking embarrassment among the car's riders.
Doctor Sewell longtime warden of New College Oxford survived a grave illness about a year ago when fellows feared for his life. A senior fellow had sought Home Office leave to bury him in the college chapel but Sewell recovered, presided at the meeting, and read the permit with ironic cheer.
A child, about three, recalls her father and Mr Worth owning mustache cups with small holes and a shelf above them where their mustaches rest. The vivid image captures a quaint household detail from the era.
A fragment shows a boy replying that he liked school but notes they did not finish two days and must all pack tomorrow, implying a transition or move. The dialogue features a father called Clarence and a speaker identified as “papa.”
Mrs Broderick of 15 Virginia St San Antonio Texas shares a kidney cure tale praising Doan's Kidney Pills noting lasting relief after early 1900s use. The piece shifts to Meg Bryant in a Waverly Magazine tale where she sacrifices plans to care for Bennie and cleans the home, winning her mother's praise.
Uncle Sam's soldiers perform daring drill at a military tournament in New York. Veterans from forts, guardsmen, cadets, and military school youths participate as Rough Riders form pyramids and showcase famed cavalry mobility.
Dresden leads in electric transit as trackless trolley cars and trailers operate on the line. The vehicles use hinged trolley poles for multi direction movement and a front wheel attachment for steering, enabling passage on either side of the road.
A short anecdote recalls a boy studying a clock with intense focus. When asked the time, he replies that one hand is at something and the other at nothing, a gentle moment captured by the Little Chronicle.
A magazine issue includes a poem attributed to A Man Who Thinks, believed to be the first of its kind published. The piece marks a notable literary debut and raises questions about authorship and stylistic innovation.
Mr Stormington Barnes suggests the greatest need of modern drama is lower railway fares and better hotels. Washington Star notes his reply after serious reflection.
A short devotional passage extols duty and service, praising leniency and the idea that true value comes from spiritual purpose. It frames human progress as a reflection of divine intent and encourages steadfast living.
The piece discusses early and modern fables, noting their moral aims and entertainment value. It cites F Anstey's A Bayard From Bengal with bright parables and contemporary spirit, featuring talking animals and ironic twists on virtue and fate.
A confused exchange reveals a mistaken shipment when a portrait of George Washington found in a coat pocket is linked to a stamp on a letter sent last week. The dialogue highlights a humorous miscommunication between two parties.
Washington correspondent J. Martin Miller recalls his Manila days with Admiral Dewey. Miller recounts the American hero’s calm aboard the Olympia as a French flagship saluted. Dewey replies that the French commander should return the greeting intended for him.
Handsome paintings recently placed on walls of the Fifth Avenue area in New York create a striking pairing with a Wall Street sign. Observers note the juxtaposition of art and signage, calling the installation fitting and evocative of the era.
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