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This newspaper page contains 13 articles. Subscribers can read the full text of each article.
Newspaper
Logan Nation
Location
Logan, Utah, United States of America
Date
Jul 23, 1902
Page
6
Home and fashions discuss refurnishing rooms cheaply by updating pillows and table covers. Describes crepe de chine and sateen slip covers, padded cushions, and coordinated designs using green walls and yellow accents. Notes evolving trends toward heavier cords and close weaves over plain cloths, with fabrics like damask, sateen, and tweed leading the look.
Mantillas are not yet warm enough but will soon gain popularity in rich fabrics and colors. The silhouette features a small round cape with long broad ends, adorned with lace, embroidery, and mousseline de soie in matching shades. They promise dressy light garments suitable for town, resorts, and seaside wear with white or self-colored linings.
The description highlights a frock in black mousse line de sole with white chantilly appliqués and a green velvet trim removed from the lace. It notes a white rose toque with foliage and a crown of silver sequins, and a white pousseline mount to emphasize a white-on-black look avoided by conservative matrons.
A sky blue cambric dress features a front panel fully covered in lace trellis, a striped skirt with narrow diamond lace trimming, and a pouched bodice with a deep embroidered lawn collar. Worn with a pale blue hat trimmed with pink roses, the ensemble showcases refined decorative touches.
The article describes a stylish arrestume with smooth finished cloth and talloraades. It highlights a basque and broad shoulder effect, moire trims on collars and vest, Corticelli silk stitching, and button clusters on straps and sleeves. The gown shows wide tuck flares and mole under sleeves with oversleeves.
A description of novel waist designs in crepe de chine with tuck effects lace yokes and black chiffon accents. Notes on shirt waists with corn embroidery buffs, Corticelli silk stitching, pongee bands and natural ivory hues. Mercerized fabrics and silk linen blends noted as in vogue.
A dainty white voile gown features an upright tucked top skirt with deep pointed edges edged in glace silk. A plaited bolero bodice shows a tucked mousseline shirt beneath, with a brown threaded lace collar and white silk cravat. A brown and white belt tailors the back, and a sculpted hat with brown tulle and a white ostrich plume completes the ensemble.
A globe trotter returns with a novel asparagus method described as de Helos. Boil the stalks as usual, then on the plate sprinkle toasted crumbs soaked in butter over the green ends and pour melted butter atop for a tastier dish.
The coquette wrap also called Mon te Carlo coat dominates veranda wear. It is usually paired with a larger lace or silk lace trimmed collar. Decoration arrives via bias cut ribbon or silk strands plaited with dangling silk fringe or braid and enamel ornaments.
Little Folks showcases Leghorn hats as the children's special property. Thin sheer dresses display a broad full yoke ruffle while mother hubbard styles return in favor. Hats are trimmed with garlands of bright posies and grass. muslin hats with ruffled rims suit the younger set. Embroidery and lace guimpees complement darker wash gowns.
A poetic meditation on fate as a vast, indifferent force filling the sky and time. The speaker questions prayer versus despair, noting change, rebirth, decay, dawn and darkness, while alluding to nine-day creatures roaming a pitiless night.
In autumn’s hush a narrator recalls a camp gypsy told fortunes to a woman seeking Daylia Herne. The tale circles Tivoli Fair, a son’s fate, and Daylia’s jail term for theft to shield him. A coat gift reveals the mother’s fierce love and concealed past.
A Germantown doctor tells a Utla joke about a Irish servant Bridget sent home a chamois skin to clean windows but the wife delivered tripe instead. The doctor declines to reveal what happened to the chamois man.
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