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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Kimball Graphic
Location
Kimball, South Dakota, United States of America
Date
Sep 14, 1883
Page
7
A vivid account of Coventry reviving the Lady Godiva pageant after years, detailing preparations, the selection of the actress, the parade through the three spires city, crowds, and processional scenes with actors and heralds, plus local reaction and the old legend’s context in the town’s history.
The article explores how seeds from wild strawberries produce plants like their wild parent, while cultivated varieties often yield different offspring. It discusses natural versus man influenced changes, then shifts to practical riding and horse handling advice, followed by social notes on women, fashion, and marriage in a brisk, period tone.
A nosy, fragmented critique mixes regional stereotypes from Boston and Baltimore while urging a Western voice in literature. It cites travelers and households, mocks metropolitan poseurs, and references General Hood’s family as context for cultural bias and identity.
Readable fragments show multiple adopted children linked to wealthy New York families and Yale connections. Names like Mykwrs, Russell, Adams, Melton appear as former classmates at Yale College. No clear parental outcomes or verifiable actions given. The text hints at婚 circumstances without clear facts.
A letter to the New York Tribune discusses the force of blows in sparring versus fighting. It asks why brutal training should be screened from public view and warns that even a 10-foot rail blow could kill an untrained man.
An OCR fragment cites multiple patent medicines and testimonials, including Swint’s Specific and Brown’s Iron Bitters, with names and places such as Perry, Ga, and Minneapolis. It mentions failed buildings on a 27th and a claim about telegraph money transfers, ending with a promotion for Brown’s Iron Bitters as a tonic and remedy.
The passage discusses residual organs and design remnants from the past. It compares horse toe remnants to human muscles unused by modern function, and notes buttons and laces as survivals from earlier dress standards. It illustrates how objects once essential become decorative or obsolete through time.
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