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This newspaper page contains 10 articles. Subscribers can read the full text of each article.
Newspaper
Indianapolis Sun
Location
Indianapolis, Indiana, United States of America
Date
Mar 12, 1910
Page
10
Beatrice Fairfax counsels wives and sweethearts to guard love letters and photos, noting the risk of past romances intruding on present happiness. She urges restraint, urges honesty with chosen partners, and reminds readers to value current love over faded memories. The piece cites Browning and stresses trust and devotion in marriage.
The piece examines how each person plays many roles in life, masking truth behind appearances. Nell Brinkley contrasts cheerful, public facades with private pain, noting how lovers and onlookers glimpse a real self only when masks slip. The prose likens faces to flowers and skies, urging empathy amid social performances.
This essay argues women should seek happiness through self development that aligns mind body and heart. It warns against chasing glory outside home while urging useful skills, self restraint, and social usefulness to sustain fulfilment across life stages. It champions balanced beauty, health knowledge, and the power to give pleasure to others as path to happiness.
A lyrical piece about a road to Ballyshee with vivid nature imagery. The speaker recalls Moira walking beside the author along green lands as bog myrtles flutter and cotton grass blows near the sea. Light laughter and elf like music accompany the journey along the road to Ballyshee.
A string of humorous vignettes plays with conscience, misread motives, and everyday mishaps. A missionary, thief, householder, and others spar verbally, delivering quips about temptation, wishes, aging, and love with a light social edge.
A poetic protest by Harriet Spaunhurst condemns oppressive rule and gendered weaponry. Slaves and servants vow to dethrone the ruling woman using collective action, humor, and a call to vote. The piece mocks ceremonial attire and small suppressions while urging bold resistance and a fair fight.
A boy with a red stocking cap questions a new neighbor from Bensonhurst about his past home, rent, summer plans, and schooling while the quiet boy reflects on his own differences. The exchange reveals social contrasts and school biases as the mother intervenes to prompt inquiries.
A bill clerk jokes about taking a correspondence course in civil engineering while the cashier mocks the idea and offers wry lessons on knowledge and money. The pair volley thoughts on careers, intellect, and practical limits as the clerk dreams of bridges and railroads.
Dorothy Dix laments a feminine trait she deems devotion to the dead over the living. She cites funerals draining families, mothers neglecting living children, and sisters supporting decayed memories while living relatives struggle. The piece calls for moral reform and home front missionary work.
A village cornetist massaged a patron's face while fingering notes from the Second Hungarian Rhapsody. The barber chair scene prompts a joke about a New York method ending with the punchline. The humorous piece mirrors Puck style.
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