Walker Whiteside in a Zangwill Play at Murat
Walker Whiteside headlines a Zangwill play presented at the Murat with Olga Nethersole also on stage at English’s ARVINE CO. at the Park as the week’s theater lineup unfolds.
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Newspaper
Indianapolis Sun
Location
Indianapolis, Indiana, United States of America
Date
Apr 02, 1910
Page
4
Walker Whiteside headlines a Zangwill play presented at the Murat with Olga Nethersole also on stage at English’s ARVINE CO. at the Park as the week’s theater lineup unfolds.
The Melting Pot by Israel Zangwill opens a limited engagement at the Shubert Mural theater Monday night starring Walker Whiteside. The drama follows David Quixano a Russian Jew in New York as he writes an epic opera while facing anti Semitic legacy and a romance with Vera Revendal amid clashes of faith and class.
English artiste Olga Nethersole will present her new play The Writing on the Wall by William J. Hurl at English's Opera House on April 5 and 6. She appears here for the first time as an exponent of American drama, portraying a modern young New York society matron of the four hundred who becomes a tenement resident.
Shubert's Mural Theater Walker Whiteside in The Melting Pot all week with matinees Wednesday and Saturday. English's Opera House Ade in City Chap Olga Nethersole in The Writing on the Wall Tuesday Wednesday and Wednesday matinee The Chorus Lady Thursday Friday Saturday. Grand Opera House Fashionable vaudeville Mrs Patrick Campbell in Expia tion every afternoon and night. Park Theater Arvine and associates in The Heart of Maryland all week. Colonial Theater Highclass vaudeville M Molasso and company in The Love of the Apache headliner every afternoon and night. Empire Theater Follies of the Day every afternoon and night.
The piece previews strong Vaudeville and stock theater offerings with Miss Nethersole in a sensational new production The Writing on the Wall and Mrs Patrick Campbell in Expiation at the Grand Opera House. It lists cast members and highlights acts including The Heart of Maryland at Park Theater and Apache Dance at the Colonial Theater along with various tours and performances.
The listing promotes a variety of acts including impersonators from Indian to Italian, The Human Marionettes, The Strolling Musicians, and Le Page performing daring apple-on-sword leaps. Also featured are The Taming of Eleanor at the Majestic and Follies of the Day at the Empire with fight pictures and a string of musical comedy routines.
The Colonial presents a musical bill featuring Mrs Patrick Campbell with Rosa Rosetta and My Banjo Girl among others. Music by Albert Veo Vilzer, an Indianapolis man, and a cast headed by Larry McCule and Gertrude Hares.
Lew Fields will stage Sweet Sixteen with only twelve chorus girls who will each have a part and perform little concerted work. The piece aims to be the highest form of musical comedy. Molly Pearson returns to America to tour The Passing of the Third Floor Back, while Gertrude Elliott appears in The Dawn of Tomorrow after an arrangement with Liebler & Co. The article also notes Emerson’s views on self conceit and mentions Shuln's Husbands at Maxine Elliott's theater and Nazimova's Thirty-ninth Street theater cast for Little Eyels.
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