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This newspaper page contains 6 articles. Subscribers can read the full text of each article.
Newspaper
Independent
Location
Long Beach, California, United States of America
Date
Feb 07, 1977
Page
11
Tele Vues Hall of Fame debuts Emily Emily a sequel to the 1968-49 Emmy winning Teacher Teacher about Freddie Putnam now grown and in love with a graduate student. NBC Channel 4 airs from 6 to 9 30 with Thomas Hulce Pamela Bell Wood and John Forsythe in key roles.
Emily and Emily headline an 8 p.m. Hallmark Hall of Fame drama on channel 4 about a 19 year old with mental retardation starring Thomas Hulce Pamela Bellwood and John Forsythe James Farentino and Karen Grassle. Meeting of Minds on channel 28 features Darwin Dickinson Galileo and Attila the Hun with Steve Allen as host. How the West Was Won Part 2 airs at 9 p.m. on channel 7 starring James Amess and Eva Marie Saint. Night Terror a Phoenix housewife thriller airs at 9:30 p.m. on channel 4 with Valerie Harper.
The American Medical Association urged ten major corporations to review advertising policies on prime time TV shows with violent content. Dr. Richard E. Palmer cited television violence as a mental health issue and urged networks to reassess policies, noting television’s broad reach and potential social impact. Sears Roebuck has already opted not to sponsor violent or antisocial programs. other contacted firms include General Motors, American Home Products, American Motors, Eastman Kodak, Schlitz, Procter and Gamble, General Foods, Burger King, and PepsiCo Frito Lay.
Ben Davidson plays an intimidating delivery man tormenting Lenny at the shoe store in a new season comedy. The Macahans face troubling obstacles delaying their progress as the Griffin Show promises a memorable experience in the film How the War Was Won.
An item noting an event at 1 00 AM tomorrow features guest author ae Rabinowitz. The note emphasizes the appearance of Rabinowitz and the scheduled time. The fragment provides limited context but confirms the guest author event.
A policy note argues against supporting programs that heavily rely on violent content as part of a broader case tightening limits on entertainment that exploits such themes. It emphasizes responsible media choices and potential impacts on audiences.
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