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New York, New York critique undercuts Scorsese’s film
Vincent Canby applies the accountant theory to Martin Scorsese's New York New York. He notes the film’s promising start, extravagant period atmosphere, and self indulgent pacing but finds it ultimately shallow and overlong, lacking emotion and sufficient substance to justify its budget and run time. He contrasts it with Mean Streets and Taxi Driver, praising some aspects while deeming the overall result lacking pace and edge.
MENTIONED IN THIS ARTICLE
New York
France
Politique Des Comptables
Sam
Martin Scorsese
Liza Minnelli
Robert de Niro
Hollywood
Miss Minnelli
USC
Ann Sheridan
de Niro
Scorsese
Kander
Ebb
New York University
Alexander
Washington Square
Darryl F. Zanuck
Alice