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This newspaper page contains 7 articles. Subscribers can read the full text of each article.
Newspaper
Freeport Journal
Location
Freeport, Illinois, United States of America
Date
Feb 21, 1872
Page
8
A fragmentary verse presents a childlike speaker and a father figure. The imagery shifts between birds and skyward longing, with lines about dreaming eyes and a restless, truant heart. The piece explores themes of aspiration and fleeting joy within a domestic setting.
The passage compares a distant, amused figure—Robinson Crusoe looking down from the moonlit MAGN—to observing disasters from afar. It recalls Chicago’s great fire, wildfires across Michigan, Wisconsin, the California and New Mexico mountains aflame, Maine floods, Newfoundland hurricanes, China typhoons, and plagues and famine, all visible like a pocket spy glass. The tone treats the era’s calamities as a celestial show, ending with the remark that the man in the moon would be astonished.
A nine year old drowns while saving his brothers in a river, warning his elder brother not to risk his life lest their father lose all his sons. The tale urges children to honor parents and act with love to avoid causing pain. Nearby, two neighbors clash and exchange insults, then seek forgiveness in a blunt apology about temper and manners.
A sermon urges young Christians to immediate zeal in serving the Lord Jesus. It urges consecration pardon for past sins, attending prayer meetings, and inviting others to salvation. It cites McCheyne and speaks of revival, personal influence, and cooperative effort with pastors for harvest of souls.
Dense, philosophical excerpt discusses humanity and the divine nature in Adam, the development of language from pictures to words, the concept of potential humanity, and the birth of a second Adam. It mentions pre Adamites as innocent and lacking self acquired humanity and cites creation and matrix formation as prerequisites for the new birth. The passage blends religious commentary with period narrative fragments and ends with a reflective dialogue about Christianity and moral conduct.
The poem reflects on life’s brevity and the futility of hatred. It speaks of fleeting pleasures and pains, sun and cloud, quick hellos and abrupt goodbyes, and the final passage of both the injured and injurer from the stage.
The piece recalls Walter Scott at his desk in a green velvet jacket with books and papers around him. It notes his open study to children, his hound, and the stories he told them, while mentioning his regimen of morning labor and a house crowded with visitors and maids.
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