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This newspaper page contains 15 articles. Subscribers can read the full text of each article.
Newspaper
Daily Review
Location
Hayward, California, United States of America
Date
Dec 31, 1962
Page
4
A noisy December listing shows TV and movie programming across several channels. Highlights include Space Angel on tap with The Record and Popeye, Captain Sacto, and Mickey Mouse Club segments in varied time slots, plus music and variety features from Morning to late evening.
A compact radio channel guide lists the evening schedule with times and program names such as Huntrey Brinkley Report and Walter Cronkite News. It shows segments like The Big News and Maverick U Record Map, plus local assignments and a Yogi Bear channel report.
A light look at television humor as hosts and sketches poke fun at resolutions. The piece notes Burkes and other performers in a music news context, highlighting witty on air moments and reshaped audience expectations for the new year.
A fragmented schedule lists multiple programs and hosts across channels and times. Names include Roger Grimsby Bob Hope Bing Crosby and Loretta Young with varied shows such as The Tonight Show and The Andy Griffith Show.
A cluttered TV listings page notes a Tuesday slate featuring the College of the Air with a 6:20 focus on Fanning Wiz 30 latte, Mahalia Jackson on Today Show, and a sequence of broadcasts including The Al Collins Show, Adventure Time, Captain Kangaroo, Eight O Clock News, Tournament of Roses Parade and Football coverage, plus Romper Room and Cotton Bowl notes.
Radio lineup highlights include Haven of Rest at 8 30 p m on KGO 816 Crane al the Hungry at 2 30 p m on KGO B10 and Mystery Adventure Theater at 10 05 p m on KNBC 688 listing times and stations for the evening.
Radio timetable lists KSFO-140 and other networks with daily hours and night schedules. Includes mentions of National Broadcasting Co. and American News, noting daily music blocks and news segments across stations.
A noisy collection of broadcast timings and station identifiers renders a jumbled schedule. Names like KAT G27 Mest, KYA, KEFA, KSB, KROM, and KYUBR appear with scattered measurement units and hours, outlining a patchwork week of transmissions to Sunday and Monday, with unclear dates and destinations.
Miami Biscayne Boulevard hosts the world’s largest nighttime parade during the Orange Bowl week with floats bands and thousands of musicians. Also TV listings include Tom Tom’s date scene and Lucy Show with a New Year’s Eve party tribute featuring Lucille Ball’s silent-film parody.
A fragmented listing covers football times and teams, mentions Rose Bowl interest and various show times and program notes. It includes references to Burus aml Allen Tehpai Rures and Allen H-Presane, plus movie and TV listings such as The Three Stooges and Discovery segments, all in a busy schedule page style.
Hollywood chatter surrounds Sam Rolfe creator of Eleventh Hour as psychiatrists guide production and actors offer Freudian kibitzing. Rolfe recalls grip and crew meddling, the challenge of expert disagreement, and his aim to entertain millions while staying accurate to psychiatric practice.
Reader questions span Joe Besser’s career with Jack Benny and Abbott and Costello films, Jack Ging’s Oklahoma football past and TV rise, Fontaine and Frank Dish’s large families, the Combat theme, and where to obtain a copy of a TV series main title. The piece notes letters suggest contacting NBC’s Walter Scott at NBC 30 Rockefeller Plaza NYC.
A fragmentary TV schedule note outlines Neliale's Navy moving to ABC for the 1992 94 season while Exchange loses a late slot. Millyweed and Gendsor Tedmin plan new segments. a 1963 Who TV special stars Richard Boone, with Odets joining as script editor for selected works.
New York AP reports that the common claim of five hours daily use for the average television set is misleading. Nielsen studies show heavy viewers account for most top viewing hours, while light users watch less. Shifts include more afternoon viewing and a small drop in prime evening audiences, with data split across income groups and densely populated areas.
Hollywood columnist Lee Cath questions whether critics, non pros, or the public should judge acting as a craft. He argues terms like timing and scenery chewing are public property yet warns against professional erosion of craft standards. He urges respect for actors as skilled professionals amid broad public discussion.
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