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Newspaper
Cheyenne State Leader
Location
Cheyenne, Wyoming, United States of America
Date
Apr 28, 1912
Page
12
Louise Gunning stars in The Balkan Princess on its American tour at Capitol Avenue Theatre May 27. Geraldine Malone as Sofia headlines a funny, lavish production with a lace stocking gag that drew crowds in New York and London.
The Balkan Princess opens at Caprio Avenue theatre for one night on May 2 with Mark Smith as Henri comic waiter Harry P Gribbon Teddy Webb as Prince Borus and Blats Harry Lewellyn as Emil and Amy Leicester as Magda The show features unique costumes and characters enhancing Miss Gunning's HB in art and promises greater variety than recent musical productions.
The article notes muddy spring roads require tire washing and distinguishes washing tires from washing the car. It advises using water only to clean tires and using as little water as possible, then suggests wiping the envelope clean with a damp sponge after each run.
A motorist mistake is mixing kerosene with water for washing tires as kerosene destroys rubber. Rubber swells and loses elasticity when soaked in kerosene. Use clean water and a dry cloth instead. The Books of Bibendum from Michelin Tire Company offers full tire care coverage.
Feature notes women feel at sea with ailments and prefer Lydia Pinkham’s Vegetable Compound for nerve and muscle support. Also mentions auction sale at 1607 Capitol Ave and local ads for vacuum cleaning services, electrical company, and a sail or waists sale at 40 cents.
Patrons at the Lyric Theatre in Cheyenne can view scenes from the Titanic disaster, its sinking, the rescue ship Carpathia, and related events. The reel includes keel laying, launch, Captain Smith, the graveyard at sea, Carpathia’s approach to New York, and survivors multiple related figures and scenes.
Maude Adams appears in Ros tand’s poetic drama Chantecler at Capital Avenue Theatre on Monday April 29. The barnyard setting, giant animal costumes, and satire on modern life highlight a tale of egoism and betrayal as the lead, a vain rooster, falls for a scheming charmer who uses his vanity.
The text analyzes Ros tand's dramatic work and its theme of a protagonist who learns his mission is not cosmic but meaningful. It praises the symbolism and philosophy, highlighting Misa Adams's performance across acts one to four as she embodies pride, vulnerability, and resilient purpose.
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