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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
Cedar Rapids Gazette
Location
Cedar Rapids, Iowa, United States of America
Date
Nov 29, 1933
Page
15
A university professor argues that a governor must prioritize the majesty and dignity of the bench, asserting the judiciary's reverence in public service and governance. The remark frames a constitutional balance between executive power and judicial independence.
A chaotic sequence in San Jose and statewide reactions center on kidnaping and murder and Governor Ralphs clemency remark. The piece argues for stronger law enforcement and educated public judgment over mob action while criticizing political responses and civil unrest across states.
A cryptic exchange hints at unresolved tensions in a small community. A character named Graham faces a warning about deadly consequences, while the speaker laments missed opportunities and the lack of decisive action. The dialogue suggests hidden agendas and potential fallout.
Critics question pairing Whiteman’s banjo and sax with serious art music. The Wisconsin State Journal defends jazz as an American indigenous form with creative potential. Tolerance now may yield future great music reflecting jazz’s influence on the nation.
A bestiary of travel notes lauds Lisle Bell and his roadster with 60 000 miles and five tire sets. The piece blends motoring exploits with literary praise, sketches of Bell, and a digressive fondness for Broadway and Paris cultural threads.
A blocky stream of thoughts argues that all events arise from causes and that human traits and racial development are predetermined by ancestral capacities. The piece traces germ to man, noting the shared fate of individuals and civilizations, with digressive asides on culture and society.
The proprietor operates Harry's Bar across from Ciro's in rue Danou, as noted in the local venue listing. The brief mentions the establishment's location and proximity to a neighboring bar.
A fast moving column notes shifts in American culture from Broadway decadence to new forms of marvels as Mrs. Don Marquis and her son appear with George M. Cohan. It also observes Grand Central’s subway hub with operators comparing New York to London and hints at the rapid rise and fall in finance and society.
A narrator observes a man and a woman dressed alike near Cartier's on the avenue. The pair wear matching materials, styles, and accessories including neckties and shoes. The writer imagines social shifts and possible conflict if couples imitate the look.
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