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This newspaper page contains 17 articles. Subscribers can read the full text of each article.
Newspaper
Anaconda Standard
Location
Anaconda, Montana, United States of America
Date
Sep 05, 1909
Page
12
A fashion overview describes coats, hats, and skirts in navy serge and dark green for the college set. It notes long coats, shorter jackets, and tailored furred hats, with Paris trends predicting pleats, fullness, and a shift toward shorter outerwear as autumn styles evolve.
The article describes new bridesmaids gowns featuring reversible color schemes with pale shell pink over gray green and black trim. It critiques corset use and explores the case for corsetless wear, suggesting improved supports and alternatives as part of a broader wardrobe regeneration.
Eloise reports on Paris fashion notes with emphasis on millinery shifts toward covered crowns and large bows, velvet and metallic accents, and a revived waist line. Notes describe tunics, pleating, and bodice emphasis shaping evening and street gowns, plus new shaping like a rolled line and raised underarm seam.
The piece notes Paris fashion pushing warm furs, satin, velvet, beaver hats, and fur trim despite a cool season in America. It observes Paris will adjust to autumn, urging shops to prepare for a second wave of styles as weather shifts, with emphasis on waste and novelty.
A brief look at changing fashion norms notes dramatic shifts in fabrics and combinations. The author recalls past preferences for dyed loves and chiffon, contrasting today’s layered blouses, lace slips, and overtrouses, highlighting evolving elegance and economy.
A garbled report mentions a team and season threats, with unclear references to players and locations. It suggests hidden dynamics behind a visible lineup, noting women of Parleste and a tense atmosphere around the event.
A fragment reflects on women and color trends, noting American women quietly adopt hues like rose and olive while Parisian women protest loudly. It contrasts restraint in the U S with vocal French fashion debates, suggesting strong national attitudes toward color in a single season.
A fragmented medieval description details a cuirass with a knotted sash in front and a stola draping from the cuirass. The garment is shorter than the standard model, designed to emphasize the hip line, with an underskirt and tinted overskirt cascading in folds. Propriety accents appear at the waist and shoulders.
A new silk derby with a slender brim appears on the scene, praised for its stylish shine and non felt construction. Enthusiastic horacwoman notes the hat suits riders well and stands out amid traditional headwear at events.
Antique silver comb sets and hair accessories appeal to aging tastes with muted luster. The piece highlights bolo backs, marcasite accents, and India silver tones to enhance a refined look for women staying stylish as they age. Includes tips on collecting, pairing with outfits, and affordable silver pieces suitable for everyday elegance.
On the Counters AVE ottoman weaves are appearing for trimming on bets and for dressy autumn street costumes. Lapis Inzull is favored for a rich hue. War evening tracks silk voiles in Louis XVI designs. Chittan teuadeleth and serees with fine or loosely woven mesh appear as gage goods for fall wear. Zibeline cloths will be used. rich yews of Loned predominates. contrasts with vivid color. Dark pyeens, browns and purples are popular.
Fashion notes describe waistcoats and coats gaining popularity this autumn with detailing like low buttons and side lacing. Neckline space is filled with decorative elements, while pleated ruffles and stiff effects appear in women’s fabrics.
An illustrated fashion piece guides women on choosing velvet bands and ornate collars to suit pale or pink complexions, with suggestions from black velvet to blue, gold and silver collars, lava stone cameos, and delicate gold medallion links. It notes wear for home afternoons, light gowns, and avoidance of overly bold looks on the street.
A fragmentary Victorian fashion notice discusses Paris capuchons or sunbonnets for theatergoing women. It touts a new capuchon that preserves elaborate hairstyles, hints at future shades in chiffon and velvet, and mentions a modern bonnet worn by a Normandy maiden amid couture chatter and social trends.
1830s trimming trends change the look of early gowns with satin rattail braids pinked edges and rosettes of taffeta. The features decorate bodices and sleeves, giving a dainty line with frills, gathers, and furbelows. Trimmings advance ahead of styles, promising continued influence on gowns as fashion shifts.
Scarfs in chiffon and mousseline provide vast versatility for outfits. A single scarf serves as belt trim, hat accessory, cape, or watercraft cover flare, with daytime and evening uses. Silk chiffon veils come in blue, khaki, green, and prints, many edge painted or embroidered, enhancing a woman’s allure.
The Jersey Dress JIE is introduced as a dressy, low priced garment for lovers of curaes, with a gleaming surface. Its popularity remains uncertain, but its appearance marks a present fashion moment in the massion period and it appeals to buyers seeking novelty and convenience.
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