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This newspaper page contains 9 articles. Subscribers can read the full text of each article.
Newspaper
Amarillo Globe
Location
Amarillo, Texas, United States of America
Date
Jun 29, 1926
Page
4
A fragmented notice outlines changes at the New Department and the Business Department. It mentions a timeframe labeled one week one month three months and one year, but the text remains unclear on specific actions or entities involved.
The Globe notes Amarillo boasts some of the roughest unpaved streets in the city. Postponed repaving after heavy rains leaves streets nearly impassable during the West Texas Chamber of Commerce gathering period. Residents recall the harsh conditions as a measure of the city’s public improvement efforts.
A column cites Prof Evarts B Greene of Columbia University arguing excessive praise of past heroes is foolish yet urges kindness to heroes. The piece notes the presence of Aaron Burrs and Benedict Arnolds among us and calls for ideals despite distrust. It ends with a jab at believing in Santa.
Booth Tarkington predicts skirts will disappear within 50 years as women adopt attire similar to men. He argues modesty comes from conformity to rules, not from clothing, and suggests women may first adopt trousers, challenging norms and provoking debate.
A satire on New York society mocks men branded as great lovers by sensational press. The piece skewers psychologists, sob sisters, and glamour, depicting fanciful portraits of glamorous confidants and their outlandish public reception.
A writer denounces pressure from a "business office" influence on press content. He notes no editor demanded allegiance to a private agenda, recalls rare rebukes, and condemns the publisher of a rival journal that failed. The piece critiques the phrase newspaper talk and defends journalistic integrity.
The piece highlights the pairing of black and pink chiffon as a dependable, stylish combination this season. Pink is presented as a standout shade that complements black without the need for blue accents.
Mimsi visits artist Cornell in Stuyvesant Square for a posed portrait. He adores spectacle and liquor, describes an exotic project Dame Fate, and she endures a tense day of posing as the night deepens. The scene ends with a dangerous calm as the story promises a continuation.
A Muskrat learns the cost of unchecked curiosity when he approaches Longlegs the Heron. Mother Muskrat warns of feathered dangers and the need to assess risk before investigating. The Muskrat is struck by Longlegs’s spear like bill, pays a sore price, and learns caution.
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