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Newspaper
Sydney Referee
Location
Sydney, New South Wales, Australia
Date
Apr 11, 1917
Page
6
Sydney Tivoli shows and He Majesty's stage feature The Pink Lady and other acts. Melbourne Royal and Canary Coral present varied revues while Adelaide and Brisbane house listed titles and singing performances.
A garbled historical note references actors and performances abroad in early February. Mentions Seymour Hicks, NeVinis Dig, Sandow Gis, and The London Stage, with varied spellings and fragments about notable figures and shows in different locations and times.
A garbled OCR passage blends names, places, and phrases about street characters, social friction, money, and a wartime sense of public life. The text drifts through references to Sam, Wake, Ge Sey, and Tang, with scattered lines on emotion, commerce, and universal questions, yielding a distorted panorama of urban scenes.
Fragmentary text references Bailey Bros and a holiday gathering or event with incomplete names and places. No clear individuals, dates, or actions are discernible from the readable lines.
The Easter Follies wows Tivail residents with a popular seasonal spectacle. The company, from top to bottom in costume, delivers lively dance and comedy numbers led by Miss Pearce and Miss Theling Rave. Queen Kemelé and Walter Weems draw strong applause for a string of performances including Butterfly and impersonations. Cast members Danna Welch Reto and others sustain high energy, with a Saturday matinee and a children’s matinee upcoming.
George Bowles, linked to The Birth of a Nation, faced criticism in Sunday Times for a foreign letter publication. The exchange involved Hugh McIntosh and American representatives detailing Bowles’s alleged actions and Australia trip context. The saga touched on Bowles defending himself while McIntosh pressed for clarity amid press tensions.
A lavish production titled A Great Panto dazzles with elaborate stage effects and strong performances. Notable performers Minnie Guiver and Miss Cayley receive praise for their principal roles, with the entire cast delivering a vivid, well-acted show praised for its size and spectacle.
Marie Tempest opened her Australian season at Theatre Royal Melbourne on a Saturday night with The Marriage of Rusty. Her performance drew a full house and enthusiastic praise, described as the finest first night in years. Tempest impressed as Kitty Silverton, delivering a brillant, engaging portrayal that set high expectations for the tour.
The article praises Maggie Dickenson and Gwen Burroughs among others for lively performances in a London stage show. It highlights the Dance of the Emotions, a comic turn by Mr Anchur Susani, and a striking curtain demonstration with a tribute from Madame Melba.
Fragmentary OCR notes describe a continuous country tour by Harry (Clay's) Harry Companies with references to SPL OWT 9 MATH and repeated garbled phrases about people and events. The text lacks clear, coherent facts or names to form a solid summary.
A garbled OCR fragment references an operon or project at TMG UP AL AROFIHL with unclear details. No concrete names, dates, or outcomes are readable beyond the likely technical term. Further readable context is needed for a complete item.
The fragmentary report recounts Dame of The Howe and a cast including Kaihlns MacTonell and Betty Long in a chaotic pantomime scene. Mentions of Jack Buji, Geiry i Sylingyigh, and Unibet OL appear in garbled dialogue and stage directions.
A fragmented Melbourne program features tenor Talleur Andress among the returning performers, delivering patriotic songs and light comedy. The Melbourne concert and Australian appearances, with a cast including British and American acts, drew attention to a busy theatre season and shifts in entertainment.
A garbled mainly cricket oriented transcription from Sydney discusses rule interpretations, umpire decisions, runs, and format questions. It mentions King Tin, Clem Hill, and referees while touching on bowling, batted runs, over rules, and a fund of opinions on how matches should be judged.
The focal theatres hosted Tosned up ehly ton the Eenter aeaen Whit Wer Upp cagest thee Tren a Inot m Bull Wan offered of veryMly qualy deel Peed luet wat of Zourte, the lg altaction, but the support was very strong. The great Australis comedian cade good trekt from the jump, and In Boing proved 2rent money. Others included Steyner Lorraine Markley Kerley Aldous and Lingerde the posing girl.
theatrical cards spotlight Vera Pearce and Adelaide in a Tivoli stage lineup with Sydney James Hog Fernctirg Bly and others. brief notes suggest a diverse cast and lively performances in a classic theater program.
A garbled teaser notes a week of events at Kasseride Spra and Kine' with Pogo My Tear, plus Sttckers fans sighing at the lay, and mentions company boosts from Malcolm McEachers, Vaude, and Verne.
Hobart scenes note Marrington Reynolds and his company presenting The Rosary at Theatre Booa while Mr Gran handles advance work and booking. The Temperance Wall features Mr Marry Sailer and others. Verna prepares to appear in London before traveling to Ayetey. A large Hobart crowd greets Verna during a visit as preparations for further engagements unfold.
The fragmentary text references a creature or object with a long leg name and scattered foreign words. Readable parts mention a long legged entity and a partial label, but no coherent incident, person, place, or event is clearly identifiable. The piece is too incomplete to form a factual, sourced summary.
Readable facts are sparse in the OCR snippet. It shows garbled text with no identifiable people, places, dates, or actions to summarize into a proper news item or public notice.
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