Old Trade Notices and Surrenders at Guildhall London
A late 18th or early 19th century notice list records multiple individuals from Liverpool Manchester and surrounding areas surrendering or appearing for proceedings at Guildhall London. Names include Miles Barber James Kenvaly and Andrew White with dates October 43 and November 15 alongside the Guildhall venue. Other entries mention Nauhian Levy Cohen George Kinney and Giorgh Kinney with various October and November deadlines. The document cites certificates granted and references to places such as Liverpool Halifax Bradford and St Martin's Lane with numerous dates and times for court or merchant proceedings.
MENTIONED IN THIS ARTICLE
Miles Harber
Offdvirg
Ipeshe
Atter Iles
London
Miles Barber
Liverpool
Signsel Sandys
James, Kenvaly
Anndrewe White
Guildhall
Bell Inn
Benjamin Haigh
Stamlind
Halifax
Yoskthiré
Bradford
John
Hardéaie
Michael _Robinson
Biverpool
Maney-Scrivener
Geender Obi
Aftemason
Gildtall
Ames Porter
Edward Arrowsmith
John Carr
Sceland- Yard
M Khan
Lear at Covent Garden with Ross in London debut
An 18th century theater notice reviews Shakespeare's tragedy Lear at Covent Garden. Mr Ross portrayed Lear in his first London appearance, praised for strong character work and vocal delivery while noting occasional stage hesitation and atmospheric staging. The piece laments missed improvements and hints at audience reaction.
MENTIONED IN THIS ARTICLE
Coven Tagarden
Shakespeare
Lear
Cheyatre
Mr. Ross
Digges Shapes Macheath Character In Opera Benefit
The episode describes Mr. Digges conceiving and performing the Macheath role in an opera for Digges’ benefit. It praises his easy deportment and nervous expressive delivery, noting his music judgment and facetious manner, likening him to Vernon as a skilled entertainer with a broad appeal.
MENTIONED IN THIS ARTICLE
HLA
Renee Et
Pers
Digges
Characer
Macheath
Vernon
Deceptive Decor and Distress in a Fragmented Text
A garbled historical clipping cites distorted phrases about deception and beauty products. It references false appearances, nature, and a brand named Vittagra, with scattered archaic spellings and vivid but unclear imagery. The piece reads like an unfinished meditation on trust, vanity, and moral conflict.
Also Mentioned on This Page
Phar ‘Company
Merita Continualon
Pranel Efavan
Jukes
King’s Warehouse
Cuffore House
Andany
Nije
Hoy
Ofpoite
Burlington Holes
Piccadiliyy
Conhias
U.F
Aldbourn
Eripfi ‘Hs
Gecetis Nah
Coy
Durham-yard
Strand
Mesfrs
Croft
Blackwell Roberts and Croft
Pallmall
Tate Loliess
Baint Y. and Co
Cai
Willam Suller
Sonz
Loriden
Cheapside
Mefits, Dainty, and Co
Mart
Daly
Permisian
de Bratem
Cook
Jackson
Abe Collett
Halland
Hele
Eggiht
Capell
Ela
Paris
Cele
Actien
Go Robitpin
Akefnoffer
Franklin
Mitkitory - Haaser
Peladiachus
Wits
Eee
Unitersal
Knowlpdata
Fieitiies Ae
SEFTE
MBER
Hinton
W. Neilson
Hai Ellen
Manchester
Greaai
Erie
Rivington
Thore
Arciery
Meiberson
Edward
Charles Dilly
Italy
France
Suretch
Gaspreeldorist
Isparaid
P ‘Ville
Plufarch
Tbs
Ward
Atresty
Énis
Leven
Poveke
Ee Kas Ruffet
Hanway
Al'e
Dart
Idoe S.ares
Carvick
Anal
Sores
ea_ Secomret
Asi
der. Moody
Ates
Blankston
Robert
Beapty
Paige
Aedicae
PHILIP + STERN
Pietadilly
Cross + Curtis
Bev
Paternofter
Cooksey
Bate
Stephen
Haverhill
Suffolk
Eva Pio Te Molain
J. Bew
Pilsbury
Spilsbury
Chymill
Mount-Row
Westminster-Bridge
Cheinauis
Jain
Galludle
Geo Lorek
John Gardner
Gardag
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